The students may notice a small change in the classroom when they walk in. An empty wheelchair is sitting beside Camulus' sarcophagus.
"Congratulations, class, on a perfect attendance record. For a whopping two classes," Camulus says, rather sarcastically. "Let's hope it remains this way. While I was lenient
while trying to build up a power base last semester, I will not be so any longer. Three absences without a note or what I deem a valid excuse and you are in detention."
He stands up and moves to the board, once again writing rather haphazard notes on the board while he talks. They resemble more a list of names, dates, and places with no relation to each other. It's up to the students to create coherent notes from them.
"Last class I asked you to read the story of
'How Culhwch Won Olwen', which is an example of one of the early Wlesh sources of Arthurian lore. Before we look at Arthur's role specifically, I'll provide some background on the story itself. 'Culhwch and Olwen' is part of the Mabinogian, a collection of stories which forms the primary source of Welsh lore. While the oldest surviving manuscript containing these tales dates only from the thirteenth century, there is evidence that an older copy dating from the sixth century once existed. This is the Welsh text Gododdin, an account of a war in the country of Gododdin, in what is the modern Strath-Clyde region of southern Scotland. The eleven branches or sections of the Mabinogian are derived from the White Book of Rhydderch and the Red Book of Hergest. 'Culhwch' is the fifth branch, following directly after the Mabinogi, the core group of four stories which tell the story of Pryderi, a Welsh king. We won't be concerned so much with these, but may look at the second branch, 'Branwen', when we discuss Grail lore.
"Of the remainder of the Mabinogian, Arthur appears frequently, but as a background character who serves as a catalyst or bankroller for the main action. The final three branches - 'The Lady of the Fountain', 'Peredur', and 'Geraint and Enid' - are stories of Arthur's knights, in the bent of the French romances. The Mabinogian was heavily influenced by other literary and bardic traditions. Continental and international motifs appear again and again, often mitigating a Celtic code of conduct with French chivalry. Many of the same motifs which appear in the Mabinogian form the basis of several modern fairytales.
"But now to the specific story I have set before you. 'Culhwch and Olwen'. A fairly simple story. I trust you all read the excerpt. A few things I'd like to bring to your attention. The first is a very Celtic theme. Olwen's father, Ysbadden the Giant, is unwilling to give up his daughter to Culhwch - or any man - because he believes that he will die if he does so. Which is what ultimately ends up occuring anyway. Compare the Irish tale of 'The Wooing of Emer' by the hero CuChulainn - both giant, ogrish fathers go to great lengths to make their daughters inaccessible.
"The second thing I would like to point out is what is being won in the raid on Ireland - a magic cauldron. This particular cauldron produces unlimited food. Another magic cauldron in this cycle of tales - also in Ireland - reanimates dead soldiers which are thrown into it. Keep your eye on the cauldron, my students. Magic cauldrons have been connected to King Arthur far longer than the Cup of Christ.
"My final point is to make note of the companions that Arthur gives to Culhwch - Bedwyr and Kai. These two figures appear again and again as important knights. We'll be talking more about them later."
He turns away from the board, dusting the chalk off his hands fastidiously. "Alright. That was quite a bit of speaking on my part. Now it's your turn. Feedback on the story. Questions you had. Confusing sections. Something that struck you as odd, or you remember reading somewhere else. Theories. Interpretations." He gives them all the hairy eyeball. "Speak."
[[I didn't realise how long the version of the story I had found was. I meant to assign from part 7 onwards. Sorry! And also, Cammie's teaching style is based on my Celtic Lit prof from the Deep South. Why am I telling you? Because I'm tired and I'm not really sure. And sorry for the late post, there were . . . mitigating circumstances.]]