The class was back in the park again, back with the offering of tea in a nice little set to settle between their small little circle. "
Konnichiwa, ducklings ♥," Shunsui said, with his sleepy smile that seemed to indicate that he'd pretty much just rolled out of bed and rolled down to the park. "This week, we're going to be looking at another well-known Japanese haikuist, this one by the name of
Yosa Buson. Buson was not only a poet, but also a painter ♥," with a nod and a smile toward Astrid-chan, "from the Edo Period, and he is considered to be one of the
best poets of that era. Because of his artistic side, his
haiku tend to focus on a stark visual component, as doing with his words what he might do with his paintbrush ♥. Influenced by Bashō, he traveled often through the wilderness of Japan for inspiration and experience, until finally settling in Kyoto in his forties. His artwork can be found in many museums across the world, and, of course, his poetry will live on long in our hearts ♥.
"So let's take a little gander
at that poetry, shall we ♥?"
With that, Shunsui reached for his little boards with all his poetry scrawled on it:
( cut for poems! )"So," Shunsui concluded, "as you can see by this very small sampling of examples, Buson tended to take a single image, a single moment in time, a mental
painting, if you will, and transform it into the simple effectiveness of a haiku poem. And that is where I would like our focus to be in our poems today, ducklings ♥. Consider a vivid picture in your mind, and paint it with your words ♥. I look forward to hearing what you come up with ♥."