The Art of Bashō; Tuesday, Second Period [05/23].
Tuesday, May 23rd, 2023 05:15 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
It appeared to be another excellent day for poetry in the park, and so Shunsui was, of course, already quite settled underneath the large tree by the pond, with a pot of tea and a drawling lecture ready to go. Now, all he needed was his students, and he would give them all his usual pleased, sleepy smile when they all gathered and got settled.
"Ohayō once more, my fellow logophiles ♥," he greeted, with a duck of his head and a gesture to the tea set before him. "Please, get comfortable, have some tea, and we'll get started in on today's lesson, which will, of course, be focused a bit on our man of the hour, but also on the types of poetry he was known to create. Naturally, Bashō is known as a great haikuist, but his notoriety was spread through other means as well. Last week, we discussed his travelogue, and, this week, we will talk about two prominent forms that really established him in the world of Japanese art and words: the renku and the renga ♥.
( Cut for POETRY )
And, again, Shunsui paused, to let the words exist in a state of appreciation, before continuing with the last part. "Of course," he said, "these are just a few examples, and I'd be happy to share more if you'd like ♥. But let us discuss, shall we, the concepts of collaborative poetry and their benefits, or perhaps even some of the disadvantages, and then, perhaps, if you're feeling inspired, we might try a little renka of our own. Any thoughts to share, to start us out ♥?"
"Ohayō once more, my fellow logophiles ♥," he greeted, with a duck of his head and a gesture to the tea set before him. "Please, get comfortable, have some tea, and we'll get started in on today's lesson, which will, of course, be focused a bit on our man of the hour, but also on the types of poetry he was known to create. Naturally, Bashō is known as a great haikuist, but his notoriety was spread through other means as well. Last week, we discussed his travelogue, and, this week, we will talk about two prominent forms that really established him in the world of Japanese art and words: the renku and the renga ♥.
( Cut for POETRY )
And, again, Shunsui paused, to let the words exist in a state of appreciation, before continuing with the last part. "Of course," he said, "these are just a few examples, and I'd be happy to share more if you'd like ♥. But let us discuss, shall we, the concepts of collaborative poetry and their benefits, or perhaps even some of the disadvantages, and then, perhaps, if you're feeling inspired, we might try a little renka of our own. Any thoughts to share, to start us out ♥?"