Even though Shunsui had a little bit of inspiration for a class that would make use of the danger shop, he figured he'd best save that for a day when the weather was not so amenable. And so it was under the tree in the park by the pond yet again, with the parchments and caligraphy brushes and birdsong and the beverages (he'd just gotten tea now, based on what he'd discerned to be the students' general preferences), and then it was time for poetry.
"
Ohayōgozaimasu, ducklings ♥," Shunsui greeted them with his usual lazy smile. "I hope you're ready to learn a little more about the lovely little tidbits of poetry we call
haiku today, because that will be exactly what we'll be doing ♥. More specifically, I'd like to use some class time to learn about some of Japan's greatest haiku-ists, look at some of their work, consider their inspirations, and in turn use it to hopefully inspire our own works, as well &hearts. And no examination of Japanese haiku would be complete without looking first to
Bashō.
"We've mentioned Matsuo Bashō in this class before, with our very first introduction, though anyone familiar with Japanese poetry would
need no introduction. He was the foremost poet of the Edo era, and arguably one of the foremost poets of history. He didn't come to be known as the Master of the Haiku for nothing ♥. He was introduced to poetry at a young age, infusing himself in the intellectual culture of Tokyo during his time and teaching for a bit," a small smile and a nod of his head as if to acknowledge that, clearly, some of the truly best poets were also
teachers, "before deciding to travel often and wander the wilderness in search for inspiration. Clearly," here, Shunsui chuckled faintly, "it worked ♥.
"So let's have a look at four of Bashō's poems, discuss what we like or perhaps don't like about them, and then we'll use the rest of class to work on our own poems, to share with the class before we depart until next week if you feel so inclined ♥."
With that, Shunsui reached for the first scroll.