Art, Thursday, Period Three
Thursday, February 22nd, 2018 04:19 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Hardison was glad Spring Break had fallen late this year; it meant he got to talk about one last black artist before Black History Month was over. "Barkley L. Hendricks is probably one of the most famous African-American oil painters to date. While he worked in many different mediums, including photography an' landscape paintin', he was best known for his life-sized oil portraits of African-American life. He blended together American realism an' post-modernism in order to create works intended to show that black folks were just as worthy of portraiture as well. He painted celebrities, leaders of the Black Power an' Civil Rights movements, protesters an' victims of police violence, as well as himself, friends, family, an' strangers. But he just depicted them as people, them all the same dignity in art that others had been awarded for years." Hardison handed out several prints of Hendrick's portraits for the students to examine and pass around, including one print just to shove the scale Hendricks worked in. "Lawdy Mama was painted in 1969, after Hendricks toured Europe, falling in love with several artists' styles but not seein' himself or his people represented in art there. Other paintings like Passion Dancehall an' Blood show modern, funky subjects while playin' around with color. He was also not afraid to get political, like his mixed-media work In the Crosshairs of the States. Hendricks died just last year in his home in Connecticut, havin' elevated both the art of oil paintin' an' the place of black folks as subjects in modern art."
That lecture over, he directed the students' attention over to the tables, where easels were set up. "So, oil paintin' is probably the most archetypal of the fine arts. It evokes the works of the great masters, of portraits of royalty an' nobility, of any number of museums you might have been to. Wanna make someone look intelligent an' refined in media? Hang an oil paintin' on the wall somewhere in their house. Wanna shorthand to show that someone is a real artist? Let 'em work with oils or have oil paint detritus in their house. Either way, the audience instantly realizes who this character is meant to be. However, oil paints are expensive, finicky to work with, an' take forever to dry. That's why oil sticks were invented; they're blocks of rich pigment in stick form, lettin' you draw an' color right on the canvas. You can also blend sticks to get different colors an' add layers for shading an' texture, just like you could with regular oil paints."
Even as much as Hardison loved to paint with his oils, there was just no way to get a painting done in a single class period.
"Today, you're gonna experiment with portraits. Use each other for models or one of your photographs if you took any of people, or snag a selfie on your phone an' use it for the basis of a self-portrait. Go nuts. You might wanna experiment with the sticks first, just to get a feel for how they work. Another great thing about oils? If you make a mistake, you can just scrape the pigment right off the canvas and try again."
Try doing that with watercolors!
That lecture over, he directed the students' attention over to the tables, where easels were set up. "So, oil paintin' is probably the most archetypal of the fine arts. It evokes the works of the great masters, of portraits of royalty an' nobility, of any number of museums you might have been to. Wanna make someone look intelligent an' refined in media? Hang an oil paintin' on the wall somewhere in their house. Wanna shorthand to show that someone is a real artist? Let 'em work with oils or have oil paint detritus in their house. Either way, the audience instantly realizes who this character is meant to be. However, oil paints are expensive, finicky to work with, an' take forever to dry. That's why oil sticks were invented; they're blocks of rich pigment in stick form, lettin' you draw an' color right on the canvas. You can also blend sticks to get different colors an' add layers for shading an' texture, just like you could with regular oil paints."
Even as much as Hardison loved to paint with his oils, there was just no way to get a painting done in a single class period.
"Today, you're gonna experiment with portraits. Use each other for models or one of your photographs if you took any of people, or snag a selfie on your phone an' use it for the basis of a self-portrait. Go nuts. You might wanna experiment with the sticks first, just to get a feel for how they work. Another great thing about oils? If you make a mistake, you can just scrape the pigment right off the canvas and try again."
Try doing that with watercolors!