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sharp_as_knives ([personal profile] sharp_as_knives) wrote in [community profile] fandomhigh2016-05-23 12:01 am
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Music Appreciation | Monday, period 1

Hannibal nodded at the students once they were settled in. "Last week, in the course of discussing home, we mentioned war a few times. There are any number of songs about war, its effects, its aftereffects, and the feelings it elicits. Today we'll be discussing those songs."

//It's fascinating, in its way,// Jono added, from his usual spot leaning against the desk at the front of the room. //There's such a broad cross-section of approaches to music about war, it's impossible to cover every point of view. The songs of each war are very much defined by the attitudes of the people living through those wars at the time. The bitter, the frightened, the adventure seekers looking for glory and those who discovered the hard way that 'glory' is absolutely the wrong word for it. The songs of the victors, the lament of the defeated. The cheerful sarcasm of those who are in over their heads and who refuse to let that fact drag them down... It's ugly. War is so bloody ugly. But the music that comes out of it is some of the most raw expression of human emotion you'll ever hear.//

"Music can also serve a purpose in war," Hannibal continued. "I will start today with a selection of drums from Japan. Drums there, as in many cultures, were used to set a pace for marching to war, to carry orders long distances, and to inspire the troops. This particular piece comes to us by way of a Chinese film showing the horrors the Japanese troops of the time perpetrated on the city of Nanjing, but offers some context to the music."

Once that had played, he continued. "Of course, there is also the much more romanticized and removed view of war presented in operas such as Bellini's Norma. In this aria, Norma calls her people to war so she may have revenge on an unfaithful lover. It shows a much less visceral facet of music."

He queued up the next song. "From the other side, we have Benjamin Britten's War Requiem. It was commissioned for the consecration of the new Coventry Cathedral, after the prior cathedral was destroyed in the bombing of World War II. In response, Britten composed a requiem - the traditional Latin mass for the dead - interspersed with poems written during World War I, creating a poignant pacifist piece. We will listen to his "Dies Irae", or "Day of Wrath", from that piece."

Hannibal smiled, "I would be remiss not to include The Year 1812, festival overture in E♭ major, Opus 49. Or as some of you may know it, the 1812 Overture. The Russian composer Tchaikovsky wrote it to commemorate Russia's successful defense against Napoleon. It includes the - somewhat anachronistic - French national anthem, a notable war song in its own right, and was scored for woodwinds, strings, percussion, brass, and an entire battery of cannons. It is not often performed with full orchestration indoors, for obvious reasons," he added, amused.

"Not all war songs are about war, so much as used during it. For propaganda, morale, or simply distraction. During World War I, a popular French song was "Quand Madelon", a story about a young woman 'entertaining' the troops, although it's actually remarkably tasteful for the genre."

After that, he shook his head. "Still, lest you think that all of the more modern songs are critical of war, I offer you "Heureux Piou-piou", in which a soldier from World War I sings of the glories of war and how much he enjoys soldiering."

Jono gave his head a shake when his turn rolled around. This was a topic that hit a little close to home.

//I tried to come up with a selection of songs that gave a pretty decent representation of the past century of wars on Earth myself,// he noted, //but there's going to be a definite slant toward the anti-war protest songs here, as well. A few of them, such as Eric Bogle's The Band Played Waltzing Matilda and Bruce Robison's Travellin' Soldier - popularized by the Dixie Chicks well after the song was written - offer a retrospective look at the aftermath of wars that happened decades before. The first looks at the slaughter of Australian troops at Gallipoli during the first World War, and the second shows the loss of a young life in the Vietnam war through the eyes of the girl back home who loved him. U2 sang about the horror of the Bloody Sunday massacre, where British Troops shot at unarmed civilian protesters in Northern Ireland, exacerbating the Irish anti-British sentiment and raising support for the IRA. They actually cut out verses from the song before releasing it for fear of their own safety.//

Jono's voice had gone curiously flat during that last part. He'd seen the results of that particular conflict first-hand. It wasn't the sort of thing you forgot easily.

//They've all got a very different feeling from the more tongue-in-cheek songs written for the soldiers themselves during the war,// he said, dropping that weird neutrality from his tone. //Songs that were meant to keep the spirits up while acknowledging just how in over their heads they were, such as Arthur Aksey's Kiss me Goodnight, Sergeant Major from the Second World War, or Irving Berlin's Oh, How I Hate To Get Up In The Morning from the First, for example. Songs that took a comedic angle on the life of a soldier were something of a coping mechanism when things were the darkest.//

Jono's own soldiers had come up with no small number of songs meant to keep their spirits up during Glacia's war, for that matter. No, he wasn't sharing any of them in class today. For one, that would involve singing. For another, he was trying to actively avoid any music that might put him back in those moments, today.

//Some songs resonated on a more personal note with anybody who listened to them. Lili Marleen was so popular in Germany that Lale Andersen had them translated and released the song in English as well. It was massive hit on both sides of the same war, singing a story that people could relate to no matter where they called home, and was covered by numerous artists. Allied troops even took the tune and repurposed the lyrics into a bitter number about how their contributions to the war in Italy were being talked down on, and they were being referred to as D-Day Dodgers.//

So help him god, he wasn't done yet.

//Vietnam saw a different attitude toward songs about war, with songs like Eve of Destruction by Barry McGuire, War by Edwin Starr, and Fortunate Son by CCR singing out against it outright. This prompted songs that embraced a patriotic fervor in turn, such as Staff Sergeant Barry Sadler's Ballad of the Green Berets, which sounds, interestingly enough, as though it would be more at home with the songs of the Second World War instead.//

It had been a long and bloody century. Jono had left so many things out. And he was still going. He ran a hand through his hair and then looked tiredly up at the ceiling before pressing on again.

Hannibal shifted a little to bump his elbow against Jono and send him a feeling of strength and support. It earned him a little sideways glance and a nod of thanks before Jono pressed on.

//I'm going to wrap this up on a few songs that have come out of more recent times still, prompted by the state of the world and the Iraq War. Jack Johnson's Crying Shame is another song in protest of war, though it's less angry than many others and more just... tired. Avenged Sevenfold wrote their song, M.I.A., to try to give some perspective of the toll that war takes on the psyche of a soldier, portraying the singer looking back on the horrors that he's seen and perpetrated himself. Metallica's One is about a soldier who was left stuck inside his own head after the injuries he sustained at war left him blind, deaf, and unable to move. They spliced scenes from the film meta for Johnny Got His Gun into their music video to better hit their point home, and ultimately bought the rights to the film in order to continue to show their video. And Muse's most recent album, Drones, is a concept album that follows the main character's journey, having his humanity and identity basically stripped away as he was indoctrinated into the military to become a killing machine in Psycho, leading to his eventual defection and victory over his enemies.//

Jono was making a mental note, next time they had a class about war, he was bringing the kitten.

Hannibal had not brought a cat, but he had brought food and drink? There was coffee and tea, and a number of pastries that he waved the students at. He'd taken a small tart and a cup of coffee for himself to share with Jono. "So, how do you feel these songs reflect or are affected by the wars of their times? What songs about war do you know, and which do you relate to best? What, in your opinion, should a song on the topic involve?"
intotheout: (huh)

Re: Discuss!

[personal profile] intotheout 2016-05-23 03:47 pm (UTC)(link)
"How about songs from musicals?" Tip asked. "There's Glory from meta for Pippin. Or probably about half the tracks from meta for Hair."

Tip loved Hair. It had some deeply sarcastic songs about all sorts of things: war, race, the environment, love. . . . And Pippin was supposed to get a revival with a black woman as the Leading Player, which Tip had been super excited about -- but then the Boov invaded and destroyed Broadway. Still, she and her mom knew all the songs.
furnaceface: (Since You Said Please)

Re: Discuss!

[personal profile] furnaceface 2016-05-23 03:57 pm (UTC)(link)
//Musicals absolutely count,// Jono replied, nodding, //though I'll admit I'm not as well-versed in most of those as I could be, I know there are a good many that touch on war and the effect it has on those who are involved in it. Even something that, musically speaking, seems as light at a glance as meta for Cabaret is, when you look at the way the narrative ties the songs together, actually about the rise of the Nazis in Berlin before World War II. Musicals are an interesting medium for telling those stories. They help to put perspective to the stories in a less figurative narrative than many songs on their own do.//
intotheout: (hmmph)

Re: Discuss!

[personal profile] intotheout 2016-05-23 04:07 pm (UTC)(link)
Cabaret was one of the musicals Tip's mom had refused to listen to with her, and listening to musicals was mostly only fun with her mom. So she didn't know it very well. But she nodded anyway, taking Jono's word for it, theme-wise. "Nazis show up in musicals pretty often, don't they?" she asked. "They're all over meta for Sound of Music, too. They're the bad guys everyone can agree really were bad guys, so we can use them however we want."
furnaceface: (Fire - Interesting Gutters)

Re: Discuss!

[personal profile] furnaceface 2016-05-23 04:16 pm (UTC)(link)
//That's a part of it,// Jono agreed. //Another part of it is the need for people to express what's relevant to them at the time. Looking at the history of Broadway, for example, there were a lot of shows that came out with a focus on the Nazi regime leading up to and during the war itself. They were telling stories people needed to see, and theatre was still very relevant. People could afford to see it again, since the Great Depression was effectively over, and film was gaining popularity but it wasn't quite the entertainment powerhouse it is today. For years after the war ended, the people who were going to see those musicals still remembered the Nazi regime as the villains, and still had a personal interest in seeing those stories told.//

He shrugged.

//I can't be sure without doing some more digging, of course, but I'd wager that there are more new musicals coming out these days based on Disney movies than there are new ones about Nazis.//
Edited 2016-05-23 16:21 (UTC)
intotheout: (what of it?)

Re: Discuss!

[personal profile] intotheout 2016-05-23 04:27 pm (UTC)(link)
Tip wondered how many musicals in her world were being made about the Boov. She knew they were making one based on Dan Landry's book, but that was so completely fictional she didn't really think it counted. She'd mostly avoided looking, though, for J.Lo's sake.

"I guess the war in the Middle East didn't inspire people the way World War II or Vietnam did," she said instead. That conflict had been over in her world for years. One advantage of getting invaded by an alien species: humans stopped beating on each other. At least for a little while.
furnaceface: (Lecturing)

Re: Discuss!

[personal profile] furnaceface 2016-05-23 04:35 pm (UTC)(link)
//Not in the same manner, no,// Jono replied, //though there have been plenty of films about it, and songs. I barely scratched the surface during my lecture, though I imagine I could've done an entire class just talking about music that came out in the past fifteen years on the topic, easily. Media itself evolves, though, and the storytelling moves from one place to the next, depending on what brings in money. There are fewer shows coming out on Broadway in general than there were around the second World War, and they haven't been around long enough yet to see which will survive the test of time the same way Sound of Music or Cabaret did.//
intotheout: (huh)

Re: Discuss!

[personal profile] intotheout 2016-05-23 05:17 pm (UTC)(link)
Tip nodded. "So World War II did more musicals," she said. "And Vietnam got more folk songs and stuff."
furnaceface: (Awright)

Re: Discuss!

[personal profile] furnaceface 2016-05-23 05:34 pm (UTC)(link)
//And a few films,// Jono agreed. //Vietnam also dragged on for much longer, and was far less romanticized in the first place, so the idea of going off to fight in a war for the glory of it was largely absent. Instead there was a generation of people who had to flee home completely in order to avoid being drafted into a fight they didn't feel was theirs to begin with. After the other two bloody massive wars the world had seen in the fifty years before, nobody was going to buy the whole 'for glory' story that had been fed to their parents and grandparents. The public's approach to the war in general was quite different, a generation of hippies and draft dodgers, instead of idealistic soldiers who were in for a rude awakening.//
intotheout: (hmmph)

Re: Discuss!

[personal profile] intotheout 2016-05-23 05:37 pm (UTC)(link)
"Wasn't it also like the first war shown on TV? Like the actual war footage itself. Now you can see stuff like that on TV all the time, but at the time it was the first time civilians really saw what was going on on the other side of the world. Like immediately. They weren't . . . jaded by it all, yet."

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[identity profile] never-dull.livejournal.com 2016-05-23 04:18 pm (UTC)(link)
"The modern successors to much of opera," Hannibal said, smiling. "A good choice. I imagine there are numerous songs from meta for Les Miserables as well that would fit."
intotheout: (huh)

Re: Discuss!

[personal profile] intotheout 2016-05-23 04:28 pm (UTC)(link)
"That's technically about a rebellion," Tip said. You didn't get very far into knowing about musicals without ending up familiar with that one. "And not a very big one. But yeah, there's loads of songs about battles and loss, there."

Re: Discuss!

[identity profile] never-dull.livejournal.com 2016-05-23 04:32 pm (UTC)(link)
Hannibal nodded. "The feelings are often the same, no matter the scale."
intotheout: (hmmph)

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[personal profile] intotheout 2016-05-23 05:14 pm (UTC)(link)
"A lot of them," Tip agreed slowly, her thoughts still coming together even as she spoke. "But I think there's still a big difference. Isn't one of the big themes of Les Mis the way the government really overreacted? It was a bunch of students putting up a barricade as a form of protest. They weren't bombing people. You don't even really get the feeling that they're expecting that big of a reaction, in the show. They're more like, playing at war. And then they all get killed because meta for Javert has an inadequacy complex. Having a war thrown at you by overzealous law enforcement isn't really the same as shipping off to one. Even if you're drafted as a soldier, you still get training. You have more of an idea what you're getting into, right?"

Re: Discuss!

[identity profile] never-dull.livejournal.com 2016-05-23 05:24 pm (UTC)(link)
"That would depend upon the country and era," Hannibal said. "And on whether you are shipping off to war, or the war is coming to your home."
intotheout: (model face)

Re: Discuss!

[personal profile] intotheout 2016-05-23 05:28 pm (UTC)(link)
Tip nodded slowly, thinking about all the people who'd been hurt, displaced, and killed during the Boov invasion. All her neighbors from her old apartment she just never heard from again, with no idea what might have happened to them.

"So I guess the real difference is if you've got a choice in it. If you sign up for the war or if you just get stuck in the middle of it."

The Boov had lost people in the invasion, too, and she knew it weighed on them. But -- and she'd never say this to J.Lo in a million years -- she still didn't think they'd gotten hit as hard by it all as humanity did. They didn't have to invade Earth.

Re: Discuss!

[identity profile] never-dull.livejournal.com 2016-05-23 05:53 pm (UTC)(link)
"Correct," Hannibal answered. "And you can see that divide in the music as well."
intotheout: (huh)

Re: Discuss!

[personal profile] intotheout 2016-05-23 05:56 pm (UTC)(link)
"Which songs are actually done by soldiers?" Tip asked. "Aren't a lot of them made more by people who are only tangentially involved at all?"

She was guessing that most of the protest singers in the sixties, for instance, hadn't actually gone to war themselves.

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wildandbrave: (Smiling in Profile)

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[personal profile] wildandbrave 2016-05-23 06:31 pm (UTC)(link)
For some reason Cosette smiled at that statement. She couldn't explain why, really. I haaaaaaaaad to.
thewrathofkaan: (Default)

Re: Discuss!

[personal profile] thewrathofkaan 2016-05-23 05:16 pm (UTC)(link)
"Good choice," Roscoe whispered, smiling at her. "And a few from meta for South Pacific, too."
intotheout: (romantic)

Re: Discuss!

[personal profile] intotheout 2016-05-23 05:21 pm (UTC)(link)
"Ooo, yeah." Tip didn't know South Pacific at all, but she was willing to take Roscoe's word for it. "Is there a war in meta for Evita, too? There's actually kind of a lot of musicals about different wars."
thewrathofkaan: (yellow)

Re: Discuss!

[personal profile] thewrathofkaan 2016-05-23 05:34 pm (UTC)(link)
"Tons. It seems like a lot of creative work comes out during war times," Roscoe said thoughtfully. "I guess people get nervous and angry and they put that into their work."

"Oh! And I haven't seen Hamilton yet, but I'm gonna go out on a limb and guess that one has a few," he added, grinning.
intotheout: (huh)

Re: Discuss!

[personal profile] intotheout 2016-05-23 05:39 pm (UTC)(link)
"Well, once you're not running for your life, anymore," Tip said. Photographs aside, she hadn't had a whole lot of creative output during the Boov invasion. ". . . I haven't heard of that one. What's it about?"

Broadway hadn't done much of anything in Tip's world since 2012.
thewrathofkaan: (huge smile)

Re: Discuss!

[personal profile] thewrathofkaan 2016-05-23 05:46 pm (UTC)(link)
"...Oh, man, I am so sad for you," Roscoe said, with a look on his face that was not unlike wounded puppy eyes. Robbing Tip's world of Hamilton might be the meanest thing the Boov ever did. "It's new-ish. It's a rap musical about the founding fathers and like, what it means to be an immigrant in a revolution. And the cast is all people of color, too. Everyone says it's really dope."
intotheout: (wtf fandom)

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[personal profile] intotheout 2016-05-23 05:55 pm (UTC)(link)
Tip's eyes widened fractionally as he spoke, and she pulled out her phone and was typing into her search engine before he'd stopped describing it. "And it's called 'Hamilton'? Like -- the guy who got shot in the milk commercial?"

Tip's world's schools were even worse at teaching history than most. Founding fathers who weren't Washington or Jefferson got kind of lost along the way.
thewrathofkaan: (sigh)

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[personal profile] thewrathofkaan 2016-05-23 06:00 pm (UTC)(link)
"Yeah! In a duel, right? I think the duel is part of the play." He had been doing his best to avoid spoilers until he could beg his mom to get him tickets to see it. "It's crazy, people are obsessed with this show. Like, way bigger than Broadway shows normally are. Scalpers are selling tickets for like three grand."

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