Navaan (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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fandomhigh2024-01-22 06:31 am
doesdoctorstuff) wrote in fandomhigh2024-01-22 06:31 am
Entry tags:
Creative Writing--So Simple Even You Can Do It! (Probably), Monday, Period 4
On the board there were some...words...written when the students came in.
"S'pose we must be resigned; but oh Lord! how ken I? If I know'd anything whar you's goin', or how they'd sarve you! Missis says she'll try and 'deem ye, in a year or two; but Lor! nobody never comes up that goes down thar! They kills 'em! I've hearn 'em tell how dey works 'em up on dem ar plantations."
"So, we've already talked about making sure your characters don't sound the same, and make sure you use different words for them. But there's another way to make sure all your characters sound different, and it's also an easy way to shove some background diversity in there while you're doing it. Today, we're talking about eye-dialects!"
"Now these are really useful writing tools, because you can pack SO MUCH into just a sentence! With an eye-dialect, you show that your character is from somewhere different, and talks funny, and so they stand out from the rest of your cast! In fact, you can just give a bunch of your characters eye-dialects and then you don't have to spend much more time on making them special or unique! Just throw some zh's in for t's or use a v instead of an s and BAM! You've got a character that people can already just assume a lot about because they talk funny--where they come from, how smart they are, everything! And the best part is? You can just leave it there! Nothing else is needed, just some wacky misspellings and a letter substitution or two and your work as an author is done!"
And anything that made writing easier was something to be used liberally. Nay, excessively! "Now, the important thing is to make sure that your character is always speaking in dialect. You can't just have them use one or two words, oh no! You want them to be authentic, right? It doesn't matter how difficult it makes reading become--if your book is good enough, your characters will be invested!" She pointed up to the blackboard. "That quote's from a book by somebody named Harriet Beecher Stowe and shows a lot of dedication! I want to see all your writing look like that!"
"S'pose we must be resigned; but oh Lord! how ken I? If I know'd anything whar you's goin', or how they'd sarve you! Missis says she'll try and 'deem ye, in a year or two; but Lor! nobody never comes up that goes down thar! They kills 'em! I've hearn 'em tell how dey works 'em up on dem ar plantations."
"So, we've already talked about making sure your characters don't sound the same, and make sure you use different words for them. But there's another way to make sure all your characters sound different, and it's also an easy way to shove some background diversity in there while you're doing it. Today, we're talking about eye-dialects!"
"Now these are really useful writing tools, because you can pack SO MUCH into just a sentence! With an eye-dialect, you show that your character is from somewhere different, and talks funny, and so they stand out from the rest of your cast! In fact, you can just give a bunch of your characters eye-dialects and then you don't have to spend much more time on making them special or unique! Just throw some zh's in for t's or use a v instead of an s and BAM! You've got a character that people can already just assume a lot about because they talk funny--where they come from, how smart they are, everything! And the best part is? You can just leave it there! Nothing else is needed, just some wacky misspellings and a letter substitution or two and your work as an author is done!"
And anything that made writing easier was something to be used liberally. Nay, excessively! "Now, the important thing is to make sure that your character is always speaking in dialect. You can't just have them use one or two words, oh no! You want them to be authentic, right? It doesn't matter how difficult it makes reading become--if your book is good enough, your characters will be invested!" She pointed up to the blackboard. "That quote's from a book by somebody named Harriet Beecher Stowe and shows a lot of dedication! I want to see all your writing look like that!"
Sign In #3
(Nothing to do with lecture today, but I'm sore from a weekend of larping so...)
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Listen to the Lecture
Re: Listen to the Lecture
Activity 1--Adapt Someone Else's
Les poissons
Les poissons
How I love les poissons
Love to chop
And to serve little fish
First I cut off their heads
Then I pull out the bones
Ah mais oui
Ca c'est toujours delish
Les poissons
Les poissons
Hee hee hee
"Zut alors, I have missed one!"
Sacre bleu
What is this?
How on earth could I miss
Such a sweet little succulent crab?
Quel dommage
What a loss
Here we go in the sauce
Now some flour, I think
Just a dab
Now I stuff you with bread
It don't hurt 'cause you're dead
And you're certainly lucky you are
Cos it's gonna be hot
In my big silver pot
Toodle-loo, mon poisson
Au revoir!
Re: Activity 1--Adapt Someone Else's
Activity 2--Write Your Own
Scottish
German
New Jersey
Cockney
(Or just use the Dialectizer or the Accenterator)
Re: Activity 2--Write Your Own
Yep all around!
Talk to Navaan
OOC
http://www.justaboutwrite.com/A_Archive_Uses-Abuses-Dialect.html
http://katlatham.com/2011/10/ten-tips-on-writing-characters-with-accents-by-rose-lerner/
http://www.helpingwritersbecomeauthors.com/2013/05/most-common-mistakes-dos-and-donts-of.html
Also, if you wanna get mad with me, check out this link between Marius Robinson's transcription of Sojourner Truth's so-called "Ain't I A Woman?" speech (which Truth went over with him, they were friends) and the speech that we know, written by Frances Dana Gage: Comparison
Specific comic chosen for no reason, honest
Re: OOC
"Attempt at Remy LeBeau's Accent" is an official AO3 tag. Save me.
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(The 90s comics have Gambit talking about “Danksgiving” at one point. It’s a miracle any of us survived.)
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If I ever app him — and let’s be real, I very well might — it will be with a strict “spell all the th’s” policy.
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