sharp_as_knives (
sharp_as_knives) wrote in
fandomhigh2014-05-13 11:32 am
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Music Appreciation, Tuesday period 2
Hannibal nodded at the students once they were seated. "Today we will begin with a bit of opera. For those of you who may not be aware," he nodded at the students from other worlds, "opera is a musical form of drama. It tells a story in song, accompanied generally by an orchestra."
He wrote a title on the board. "Today we will listen to some of La Bohème, an opera by a composer named Giacomo Puccini. It was originally performed in 1896, and set in Paris in the 1840s." He smiled briefly at Cosetteassuming she's there. "It follows a story of several bohemians - artists and such - and the romance of two of them, Rodolfo and Mimi."
He explained the plot briefly and then played excerpts from a traditional production. When that was done, he said, "Also, there has been a more recent production, set in the 1950s. As one example of how to modernize opera, we have this."
//On the other end of the spectrum,// Jono said, leaning back against a desk and holding up a CD for the class to see, //we have a more modern retelling still, prevalent on the Broadway stage, by the name ofmeta for RENT. They took it, set it in New York, and then worked in current themes and issues, such as drug abuse and homosexuality, and had AIDS taking the place of the tuberculosis from the original.// He wasn't going to launch into an explanation of those things for the less modern students in the class, because they would never get through the syllabus otherwise. He was learning! //The result is a rock musical that draws parallels to La Bohème in everything from plot elements and character names to samples of the music itself. Here...//
Jono put the disc into the CD player, hit a few buttons, and stood back, letting La Vie Bohème begin to play. Notwork school appropriate? Did Jono look terribly as though he cared?
Did Hannibal? These were clearly the coolest teachers in school, you guys.
//Anyway, now that you've listened to three examples of the same, or at least a very similar story told differently over the years, I want us to take some time to discuss it. Talk about what emotions the three pieces made you feel, or discuss the differences in the lyrics and themes between them. If you want to listen to more of one or the other, feel free to ask, and we'll play whatever we have time for through the class period. If you have questions about any of the themes in any of the above, again, ask, and we'll do our best to answer whatever we can.//
He wrote a title on the board. "Today we will listen to some of La Bohème, an opera by a composer named Giacomo Puccini. It was originally performed in 1896, and set in Paris in the 1840s." He smiled briefly at Cosette
He explained the plot briefly and then played excerpts from a traditional production. When that was done, he said, "Also, there has been a more recent production, set in the 1950s. As one example of how to modernize opera, we have this."
//On the other end of the spectrum,// Jono said, leaning back against a desk and holding up a CD for the class to see, //we have a more modern retelling still, prevalent on the Broadway stage, by the name of
Jono put the disc into the CD player, hit a few buttons, and stood back, letting La Vie Bohème begin to play. Not
Did Hannibal? These were clearly the coolest teachers in school, you guys.
//Anyway, now that you've listened to three examples of the same, or at least a very similar story told differently over the years, I want us to take some time to discuss it. Talk about what emotions the three pieces made you feel, or discuss the differences in the lyrics and themes between them. If you want to listen to more of one or the other, feel free to ask, and we'll play whatever we have time for through the class period. If you have questions about any of the themes in any of the above, again, ask, and we'll do our best to answer whatever we can.//

Re: Talk to the teachers!
She let out a deep breath. "And the emperor would never waste a true healer on something like birthing a baby. He saves them for himself or members of his court."
And he could probably almost see the bristles go up on the back of her neck. "But I think it's important to help them! And they only call me if it's dire."
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Re: Talk to the teachers!
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"Apart from sleep?" Kaylin opened her mouth to say 'nothing', then closed it again. He didn't seem a good person to lie to, even if she hadn't been told more often than she could count that she was a terrible liar.
"I... if it's bad enough... I might pass out. Or be weak as a newborn babe for a few days. It drains me, I guess."
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"However, please keep in mind that you have finite resources. And as an adolescent, you need adequate sleep and food, not only to function, but to mature healthily."
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And her brow furrowed. Mature heathily? Was that some backhanded comment about how scrawny she was? She knew she was tiny even for her age and not much more than skin, bones, and muscle from Hawk training, but really!
"I eat," she said in weak protest. "When I remember anyway. And mostly I'm very happy to sleep."
Except that wasn't strictly true. If she wasn't completely exhausted the nightmares got her. If she was wiped out she'd at least get a few hours at a shot when she was too tired even to dream.
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He looked her over. "You will clearly learn nothing while you are exhausted. More than that, you compromise your own growth. But, as I said, I am familiar with the mindset; I doubt I could tell you to stop, even if it would be best for you?"
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"And I can learn even when I'm tired. I have to or they won't let me be a Hawk and nothing else matters except that."
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Hannibal nodded. "And you want to do that, instead of healing?"
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He crossed his arms and looked at her a moment longer.
"Also, learn to assess your own needs, and ask for help." He suspected she was good at neither. "Or can you tell me you truly learned anything here today?"
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Kaylin bit her lip. "Probably not anything good. Will you get mad if I tell you what I really thought about the things?"
Videos, whatever.
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Here, have Kaylin, raised in the fiefs and far closer in time period to La Bohème, but with even less ready cash than most of the people in Rent and absolutely no understanding of any sort of romantic love.
At least he could tell she'd been trying to pay attention?
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But yes, at least she had been trying.
He eyed Kaylin and pointedly moved the rest of the food closer. "How likely is it that you will be called away again?"
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Kaylin shrugged. "They really only call if they absolutely need me. Might not be for a month, might be tonight. You can't predict how a birth will go."
She hesitated, then grabbed more food and nibbled again. "This is really good. Thank you."
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Sorry, Kaylin; detention by any other name...
"Should you be called upon again, here is what I expect," he continued. "Either before you leave or immediately upon your return, you will see that I or Mr. Starsmore is informed. You may e-mail one of us, or tell the front office, or ask a reliable classmate to tell us.
"You will then, once you are done, get sufficient sleep, whether that should mean missing the class or not. Should you miss it, we will make it up later in a similar fashion. Agreed?"
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"Also, I would recommend you speak to your other instructors and make similar arrangements; they are likely to appreciate the advance notice and be more willing to work with you. And please try to eat." Because you were seriously a bit scrawny, Kaylin.
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"And I do try to eat. It's easier here because back home I was always running short on money, but here the cafeteria is free so there's always food. When I remember. Which I'll try to do better at."
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"And please take the rest of this with you; it will save me carting it back to Baltimore. Now, when shall we meet to listen to La Bohème?"
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"If you're sure," Kaylin said. "And I don't have classes on Friday or Monday - or on the weekend either." And then her curiosity kicked in again. "Where's Baltimore? Is it another world, too? Is it far?
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