Detective Rosa Diaz (
died8yearsago) wrote in
fandomhigh2019-02-08 05:14 am
Ballet for Beginners; First Period [02/08].
When the students came into the dance studio that morning, they'd find their teacher over by the stereo, clearling having some difficulties. It shouldn't be this difficult; she'd never had problems with it before, but, all of sudden, instead of playing the music she wanted, all it was playing was Dead or Alive's smash 1985 hit "You Spin Me Round (Like A Record)"....only it was just the chorus hook on a seemingly endless loop. And there appeared to be nothing Rosa could do to stop it.
She'd tried everything, too. Hitting it, unplugging it, pressing all the buttons, trying multiple different CDs and settings, but nothing. It still kept going, and by the time the students came in, she was just about at the end of her rope and finally gave in and did what she usually did when technology frustrated her: she pulled the stereo from the shelf, lifted it over her head, smashed it on the floor, and breathed a sigh of relief as silence finally settled in.
"I'll pay for that," she assured the students, once she looked up and saw that they were already there for class. Not that she imagined they'd care. "Anyway, guess we're not doing music today. Technical difficulties. If you want to hum or sing or whatever, that's fine. I don't--"
And that's when the stereo, dispite its many broken-apart pieces seemed to whirr to life and started in with another round of now slightly distorted "You spin me right round, baby, right round."
And Rosa was really thinking she needed to get on that whole 'figure out the best way to hide a gun in a leotard' things she'd been considering.
"Right," she said, through a clenched jaw, clenched teeth, clenched everything. "Piroettes today. If we don't go crazy first."
[[OCDin the way is up! ...i'm too tired for this]]
She'd tried everything, too. Hitting it, unplugging it, pressing all the buttons, trying multiple different CDs and settings, but nothing. It still kept going, and by the time the students came in, she was just about at the end of her rope and finally gave in and did what she usually did when technology frustrated her: she pulled the stereo from the shelf, lifted it over her head, smashed it on the floor, and breathed a sigh of relief as silence finally settled in.
"I'll pay for that," she assured the students, once she looked up and saw that they were already there for class. Not that she imagined they'd care. "Anyway, guess we're not doing music today. Technical difficulties. If you want to hum or sing or whatever, that's fine. I don't--"
And that's when the stereo, dispite its many broken-apart pieces seemed to whirr to life and started in with another round of now slightly distorted "You spin me right round, baby, right round."
And Rosa was really thinking she needed to get on that whole 'figure out the best way to hide a gun in a leotard' things she'd been considering.
"Right," she said, through a clenched jaw, clenched teeth, clenched everything. "Piroettes today. If we don't go crazy first."
[[OCD

Sign In - Ballet, 02/08.
Re: Sign In - Ballet, 02/08.
Re: Sign In - Ballet, 02/08.
Re: Sign In - Ballet, 02/08.
Warm Up - Ballet, 02/08.
And then it's off to the barre, with a repeat of the basics warm-up as usual, as well as the battement/développé routine from last week.
Re: Warm Up - Ballet, 02/08.
By now she was used to the warm up, and did it, unconsciously humming along.
Lesson: Pirouettes - Ballet, 02/08.
"...which means," she was explaining, with a glare toward the pile of somehow still working debris on the floor, "'to spin. Usually turning on one leg while the other is lifted up in passé. They can be fun to do, but difficult to execute well, and they're often used in performances to showcase a dancer's talents. They're also a point of pride with male dancers."
With a nod to them, since, you know, they were there.
She then went over how to do it, emphasizing the importance of alignment and a good fourth position, making them try the base of opening their arms and going up to passé a few times first before really getting into the actually turning it into a turn.
"Don't forget to spot," she added. "Like with chaîné turns, only with piroettes in practice, your best spot is going to be yourself in the mirror. I want you guys to practice doing a single piroeutte, really work on getting it clean and precise with a nice finish, and then we'll see about maybe trying two if you've got the single down."
Re: Lesson: Pirouettes - Ballet, 02/08.
Re: Lesson: Pirouettes - Ballet, 02/08.
Cool Down - Ballet, 02/08.
Re: Cool Down - Ballet, 02/08.
Talk to Rosa - Ballet, 02/08.
OOC - Ballet, 02/08.