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fandomhigh2018-02-01 11:32 am
geniuswithasmartphone) wrote in fandomhigh2018-02-01 11:32 am
Entry tags:
Art, Thursday, Period Three
"Sup, class an' welcome to the first day of Black History Month," Hardison said, once all of his students had filed into the art room. "I know class is usually more about makin' art than learnin' about it, but for all that African-Americans have been professional artists since before America was an independent country, there ain't a lot of people who can name even a single black visual artist. In most normal schools, you end up learnin' about the Renaissance masters, Impressionism, maybe even Modern Art an' Surrealism, but information about black artists outside of music an' the Harlem Renaissance is pretty thin on the ground. So for the rest of February, your art is gonna come with a side of history."
Sorry not actually sorry about that.
"Today, our artist is Dindga McCannon, a mixed-media artist who combines her training in the fine arts with the knowledge of needlework, embroidery, an' quiltin' that her mother an' grandmother taught her. Her art is strongly feminist in scope, in no small part because of the strong familial ties that brought her to it, celebratin' women's lives. McCannon was part of the first show of professional black women artists in New York City, back in the 1970s. For those of you who are from earth, I want y'all to think about that for a minute: it wasn't until the 1970s that New York had a show dedicated to black women artists." He couldn't help but shake his head at that.
"You can see some of McCannon's art here," he added, holding up a book with hi-res images of her quiltwork. "She also wrote an' illustrated a YA novel called Peaches. But for today, we're takin' inspiration from her work, Revolutionary Sister, currently on display at the Brooklyn Museum. Revolutionary Sister is a great example of mixed-media art, which is basically any art where more than one medium is employed. You wanna use pencil an' oil paint together, that's mixed media. Revolutionary Sister uses the kind of mixed media art that incorporated found objects--basically, you take items that were manufactured for a different purpose an' incorporate those into the finished piece. In her piece, you can see she uses yarn, bullet casings, a zipper, an' several other items to create the figure of a woman. That's what we'll be doin' today."
With that, Hardison started pulling out boxes and bins ofmoddable materials, as well as canvas and paints. "Nothin's off-limits today," he said. "But I want y'all to paint somethin' an' add these found objects into the work. Not just as accessories, though, I wanna see at least a good quarter of the piece be made up of found objects. Feel free to use other stuff we've gone over--clay, glass if you're careful, whatever. You got this."
Sorry not actually sorry about that.
"Today, our artist is Dindga McCannon, a mixed-media artist who combines her training in the fine arts with the knowledge of needlework, embroidery, an' quiltin' that her mother an' grandmother taught her. Her art is strongly feminist in scope, in no small part because of the strong familial ties that brought her to it, celebratin' women's lives. McCannon was part of the first show of professional black women artists in New York City, back in the 1970s. For those of you who are from earth, I want y'all to think about that for a minute: it wasn't until the 1970s that New York had a show dedicated to black women artists." He couldn't help but shake his head at that.
"You can see some of McCannon's art here," he added, holding up a book with hi-res images of her quiltwork. "She also wrote an' illustrated a YA novel called Peaches. But for today, we're takin' inspiration from her work, Revolutionary Sister, currently on display at the Brooklyn Museum. Revolutionary Sister is a great example of mixed-media art, which is basically any art where more than one medium is employed. You wanna use pencil an' oil paint together, that's mixed media. Revolutionary Sister uses the kind of mixed media art that incorporated found objects--basically, you take items that were manufactured for a different purpose an' incorporate those into the finished piece. In her piece, you can see she uses yarn, bullet casings, a zipper, an' several other items to create the figure of a woman. That's what we'll be doin' today."
With that, Hardison started pulling out boxes and bins of
Re: Talk to Hardison
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'Honey bear' was a totally cool endearment, what?!
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God help everyone around them.
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There were students here, guys. Poor, innocent students!
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"Don't think I won't answer to that," Tony replied.
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Hardison laughed outright. "The possibility never even crossed my mind," he promised.
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THEY WOULD MAKE THEM FASHIONABLE.
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"You'd wear it everyday, right?" Hardison checked. "I ain't takin' the emotionally-vulnerable step of gettin' best friend bracelets if you ain't gonna take it seriously."
Re: Talk to Hardison
More like his eye-rolly face once he found out there was another nerd just as bad as Tony.
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"I'll tell Steve that Rhodey's bein' mean to me an' unleash his frowny disappointed face. An' probably a lecture about sharing."
Like the one he'd delivered in his PSA!
Re: Talk to Hardison
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"I will take pictures and laugh at all of you."
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"I can only assume you'll be laughin' because of how calm an' sexy an' in control I am in all of'em." You know, as he masculinely hid behind something.
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Re: Talk to Hardison