Nathan Algren (
shiroi_tiger) wrote in
fandomhigh2017-05-12 08:02 am
Entry tags:
Japanese Art, Friday, Period Two
Algren, clad in actual modern clothing today instead of the yukata he'd briefly contemplated wearing to class before deciding that might be laying it on a little thick, was looking faintly amused as he settled in for his lesson today. He'd set a low table in the middle of the room, all desks and chairs pushed off to the side, and there were cushions on the floor around the table so that students could sit comfortably. On the table were stacks of brightly colored pieces of paper, cut into squares.
"OhayĆgozaimasu," he greeted, giving a small nod once it looked as though his students had settled in. "Good morning, and welcome to Japanese Art. I'm Captain Nathan Algren-- Mr. Algren for the sake of this class will do."
Or Algren-Sensei, though that seemed a little too formal for the sake of a class of three. He shrugged his shoulders all the same.
"We'll be covering several different types of Japanese art over the course of this workshop, starting with the one most people have at least a passing familiarity with," he gestured to the paper, "and moving on into calligraphy, perhaps some theater... Japan has a vast and diverse selection of art forms to choose from, and we'll barely be able to scratch the surface over the course of the next few weeks. This week, of course, is reserved for introductions - name and if there's anything in particular you hope to take away from this class - and then we'll get into folding some paper."
"OhayĆgozaimasu," he greeted, giving a small nod once it looked as though his students had settled in. "Good morning, and welcome to Japanese Art. I'm Captain Nathan Algren-- Mr. Algren for the sake of this class will do."
Or Algren-Sensei, though that seemed a little too formal for the sake of a class of three. He shrugged his shoulders all the same.
"We'll be covering several different types of Japanese art over the course of this workshop, starting with the one most people have at least a passing familiarity with," he gestured to the paper, "and moving on into calligraphy, perhaps some theater... Japan has a vast and diverse selection of art forms to choose from, and we'll barely be able to scratch the surface over the course of the next few weeks. This week, of course, is reserved for introductions - name and if there's anything in particular you hope to take away from this class - and then we'll get into folding some paper."

Re: Talk to Algren
"One gentleman asked me the particulars of how scalping works."
Funnily enough, he traumatized the hell out of that man in front of yet another Tony Stark, who was apparently a great common denominator here.
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Meanwhile, his mouth said, "I told him. In great detail. He refrained from asking me questions from then on."
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"I can't say I'm particularly remorseful about that," he admitted, shaking his head and looking down to carefully crease his paper with his thumbnail. "People get so wrapped up in stories, swept away in the romance of it, they forget to consider that actual people lived those things."
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Though in fairness, the horses tended to smell better than the men did.
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Cars were interesting. He had no idea how they worked, but that didn't mean Nathan wasn't intrigued.
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They carried sabers in the cavalry!
... He'd learned how to use one to far better effect in Japan, of course.
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The last one he'd been in hadn't been terribly kind to him.
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Limp and all, he was still a force to be reckoned with. There had been a reason Katsumoto had likened him to a tiger.
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Clearly.
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Possibly not Steve "Let's Jump Out of Airplanes" Rogers, but some people.
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At least with Nathan 'Fighting Guns With Swords" Algren, he was in good company.
"... Do you know anybody who did? I'm still looking."
Especially around here.
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