http://whoisalicewhite.livejournal.com/ (
whoisalicewhite.livejournal.com) wrote in
fandomhigh2015-09-15 12:06 am
Entry tags:
Competitive Teambuilding, Tuesday, period 1
[Class #3 - The Tap-It-Out Job]
“Sometimes we do make up classes just because it’s funny.” Parker looked a tiny bit guilty about that today. But only a tiny bit.
The Danger Shop was a dance studio, with mirrors, barres, and wide paneled flooring. Also, some DDR mats and a couple computer screens for those of you who might need the help.
“Dance is easy. It’s just steps.” See? Parker can dance. She looks like a marionette, but she can do the steps. So you can too!
Yeah, Eliot wasn't going to be dancing. He was manning the stereo system. Which was only not full of country standards because he didn't know how to program the danger shop's stereo system. "Each team will be assigned a song. You get half the class to plan, then show us your dance."
You were all welcome, class. Hardison was in charge of your musical selections today. Which, okay, technically meant a lot of Hall and Oates, but there was a minimum of country and more stuff with an actual beat. "A lot of modern dance is just attitude an' bein' able to move your body in rhythm, but a lot of dances involve learnin' proper steps in time."
He bowed to Parker, holding out a hand, and then swept her up into a waltz, moving her in a one-two-three pattern around the room. Parker followed his lead, smiling happily, perfectly in time with the music (and still, stiff as a board).
“We have judges!” Parker pointed over Hardison’s shoulder, and then pirouetted, holding onto his hand. The judges were Danger Shop created. They all looked like angry old people from the former USSR. “So have fun.” And don’t worry about the scores too much.
Those judges looked a little like people Eliot had once had to take out on jobs. They were getting some serious side-eye from him. "You'll be scored on creativity, artistry, and technical precision. Probably." There was no telling. The Soviet judges were always notorious hardasses. "I don't know, Hardison programmed them. If you've got any complaints, bother him."
Hardison was still dancing his way over to Eliot, letting Parker go with a spin and reaching for Eliot. The music changed to something a little spicier, with a Latin feel--yes, without Eliot actually fiddling with the controls. Because Hardison controlled the whole sim. But he promised he'd let Eliot have full control once the lecture was over.
"No," Eliot said. "No, don't you -- dammit, Hardison!"
Yeah, protesting never worked.
Hardison grinned at Eliot and proceeded to ignore his protest. "Y'all can make up any dance at all," he explained, moving into the steps of the Lambada--which was totally scandalous back in the 90s and was practically tame in comparison to, say, twerking. "But it's gotta fit the theme of the music--an' also tell a story about Fandom."
Eliot's lambada was perfectly serviceable, and not nearly as stiff as Parker's waltz. He just looked kind of like he wanted to murder something the whole time. "However the hell you manage to do that," he said. "It's up to you guys to figure it out."
Parker was now doing the Robot. It looked oddly natural. “And go!”
“Sometimes we do make up classes just because it’s funny.” Parker looked a tiny bit guilty about that today. But only a tiny bit.
The Danger Shop was a dance studio, with mirrors, barres, and wide paneled flooring. Also, some DDR mats and a couple computer screens for those of you who might need the help.
“Dance is easy. It’s just steps.” See? Parker can dance. She looks like a marionette, but she can do the steps. So you can too!
Yeah, Eliot wasn't going to be dancing. He was manning the stereo system. Which was only not full of country standards because he didn't know how to program the danger shop's stereo system. "Each team will be assigned a song. You get half the class to plan, then show us your dance."
You were all welcome, class. Hardison was in charge of your musical selections today. Which, okay, technically meant a lot of Hall and Oates, but there was a minimum of country and more stuff with an actual beat. "A lot of modern dance is just attitude an' bein' able to move your body in rhythm, but a lot of dances involve learnin' proper steps in time."
He bowed to Parker, holding out a hand, and then swept her up into a waltz, moving her in a one-two-three pattern around the room. Parker followed his lead, smiling happily, perfectly in time with the music (and still, stiff as a board).
“We have judges!” Parker pointed over Hardison’s shoulder, and then pirouetted, holding onto his hand. The judges were Danger Shop created. They all looked like angry old people from the former USSR. “So have fun.” And don’t worry about the scores too much.
Those judges looked a little like people Eliot had once had to take out on jobs. They were getting some serious side-eye from him. "You'll be scored on creativity, artistry, and technical precision. Probably." There was no telling. The Soviet judges were always notorious hardasses. "I don't know, Hardison programmed them. If you've got any complaints, bother him."
Hardison was still dancing his way over to Eliot, letting Parker go with a spin and reaching for Eliot. The music changed to something a little spicier, with a Latin feel--yes, without Eliot actually fiddling with the controls. Because Hardison controlled the whole sim. But he promised he'd let Eliot have full control once the lecture was over.
"No," Eliot said. "No, don't you -- dammit, Hardison!"
Yeah, protesting never worked.
Hardison grinned at Eliot and proceeded to ignore his protest. "Y'all can make up any dance at all," he explained, moving into the steps of the Lambada--which was totally scandalous back in the 90s and was practically tame in comparison to, say, twerking. "But it's gotta fit the theme of the music--an' also tell a story about Fandom."
Eliot's lambada was perfectly serviceable, and not nearly as stiff as Parker's waltz. He just looked kind of like he wanted to murder something the whole time. "However the hell you manage to do that," he said. "It's up to you guys to figure it out."
Parker was now doing the Robot. It looked oddly natural. “And go!”

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Listen/Facepalm/Socialize
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No.
Noooooooooo.
Of course not. Why would you think that?
. . . no, actually, she wasn't, but it was severely tempting.
Re: Listen/Facepalm/Socialize
Ter.ri.ble.
Plan your dancing
Team two (Tali, Ada, Vider): Sandstorm (https://www.youtube.com/watch?v=2HQaBWziYvY) by Darude
Team three (Edward, Cosima, Ringo, Kira): Victory (https://www.youtube.com/watch?v=j3nBuwOPu8A) by Bond
Re: Plan your dancing
Re: Plan your dancing
Re: Plan your dancing
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And she wasn't particularly happy about the idea of all the touching. Couldn't they dance - if it was utterly necessary - with no touching?
Re: Re: Plan your dancing
"There are contests about dance?" Four asked, frowning.
There was no So You Think You Can Dance in YA dystopian futures.
Re: Plan your dancing
Re: Plan your dancing
Re: Plan your dancing
"Sorry."
But she did know when her comments were rude.
Sometimes.
Re: Plan your dancing
Re: Plan your dancing
Re: Plan your dancing
Re: Plan your dancing
Someday she was going to explain the differences between the original Normandy and the Normandy SR-2 in interpretive dance. Seriously.
Re: Plan your dancing
Perform!
RNGThe simulated Soviet judging panel declares the following order:First place: Team one!
Second place: Team three!
Third place: Team two!
(Feel free to boo the panel.)
RE: Perform!
Talk to your teachers
Re: Talk to your teachers
Next week there might be fire again. But this week was fun too.
Also, she liked that one song with the guitars and the blues? But it was not her pick.
Re: Talk to your teachers
It was probably perfectly obvious what music he picked, though.
RE: Talk to your teachers
OOC
And this is just adorable, shush.
Re: OOC