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fandomhigh2006-02-02 10:43 am
game-of-you.livejournal.com) wrote in fandomhigh2006-02-02 10:43 am
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Classics/Foreign Lit, 02/02, Period 2
"Hello, class.
Foreign Lit: We are transitioning into a unit on Russian literature. While there have been great works written in Russian since medieval times, if not before, in this class we will concentrate on the works of what are considered the Golden and Silver Ages, the 19th and 20th centuries. In class, please pick a writer from that time whose name is in your handout, and turn in 100Wiki'ed words about the author and his or her work.
Classics: We are continuing our reading in Greek mythology with Hesiod's Theogony, a poem by Hesiod describing the origins of the gods of Greek mythology.
The poem is a synthesis of a vast variety of local Greek traditions concerning the gods, organized as a narrative that tells how they came to be and how they established permanent control over the cosmos. In many cultures, narratives about the cosmos and about the gods that shaped it are a way for society to reaffirm its native cultural traditions. Specifically, theogonies tend to affirm kingship as the natural embodiment of society. What makes the Theogony of Hesiod unique is that it affirms no historical royal line. Such a gesture would have cited the Theogony in one time and one place. Rather, the Theogony affirms the kingship of the god Zeus himself over all the other gods and over the whole cosmos.
Further, Hesiod appropriates to himself the authority usually reserved to sacred kingship. The poet declares that it is he, where we might have expected some king instead, upon whom the Muses have bestowed the two gifts of a scepter and an authoritative voice (Hesiod, Theogony 30-3), which are the visible signs of kingship. It is not that this gesture is meant to make Hesiod a king. Rather, the point is that the authority of kingship now belongs to the poetic voice, the voice that is declaiming the Theogony.
After the classical period, when divinely-appointed kingship is brought into Greece once more, it will come in from outside, from Macedonia and imported from the royal traditions of Persia.
Although it is often used as a sourcebook for Greek mythology, the Theogony is both more and less than that. In formal terms it is a hymn invoking Zeus and the Muses: parallel passages between it and the much shorter Homeric Hymn to the Muses make it clear that the Theogony developed out of a tradition of hymnic preludes with which ancient Greek rhapsodes would begin their performance at poetic competitions. It is necessary, therefore, to see the Theogony not as a sort of Bible of Greek mythology, but rather as a kind of snapshot of a dynamic and often contradictory tradition as it happened to crystallize at one particular place and time - and to remember that the tradition kept evolving all the way up to the current time.
For homework, please read the text of the Theogony, which you have in English and in Greek. We will discuss it on Tuesday."
Foreign Lit: We are transitioning into a unit on Russian literature. While there have been great works written in Russian since medieval times, if not before, in this class we will concentrate on the works of what are considered the Golden and Silver Ages, the 19th and 20th centuries. In class, please pick a writer from that time whose name is in your handout, and turn in 100
Classics: We are continuing our reading in Greek mythology with Hesiod's Theogony, a poem by Hesiod describing the origins of the gods of Greek mythology.
The poem is a synthesis of a vast variety of local Greek traditions concerning the gods, organized as a narrative that tells how they came to be and how they established permanent control over the cosmos. In many cultures, narratives about the cosmos and about the gods that shaped it are a way for society to reaffirm its native cultural traditions. Specifically, theogonies tend to affirm kingship as the natural embodiment of society. What makes the Theogony of Hesiod unique is that it affirms no historical royal line. Such a gesture would have cited the Theogony in one time and one place. Rather, the Theogony affirms the kingship of the god Zeus himself over all the other gods and over the whole cosmos.
Further, Hesiod appropriates to himself the authority usually reserved to sacred kingship. The poet declares that it is he, where we might have expected some king instead, upon whom the Muses have bestowed the two gifts of a scepter and an authoritative voice (Hesiod, Theogony 30-3), which are the visible signs of kingship. It is not that this gesture is meant to make Hesiod a king. Rather, the point is that the authority of kingship now belongs to the poetic voice, the voice that is declaiming the Theogony.
After the classical period, when divinely-appointed kingship is brought into Greece once more, it will come in from outside, from Macedonia and imported from the royal traditions of Persia.
Although it is often used as a sourcebook for Greek mythology, the Theogony is both more and less than that. In formal terms it is a hymn invoking Zeus and the Muses: parallel passages between it and the much shorter Homeric Hymn to the Muses make it clear that the Theogony developed out of a tradition of hymnic preludes with which ancient Greek rhapsodes would begin their performance at poetic competitions. It is necessary, therefore, to see the Theogony not as a sort of Bible of Greek mythology, but rather as a kind of snapshot of a dynamic and often contradictory tradition as it happened to crystallize at one particular place and time - and to remember that the tradition kept evolving all the way up to the current time.
For homework, please read the text of the Theogony, which you have in English and in Greek. We will discuss it on Tuesday."
Re: After class, 02/02
Re: After class, 02/02
"Do you need any guidance in your teaching, or do you feel it's going well thus far?"