fandomhigh | Studio Art | January 31st

Autolycus looked far better than he had during History of art, he handed each student a thick set of notes on colour theory, then started talking.

There are two main colour methods, additive and subtractive.
	Additive colour mixing begins with black and ends with white; as more colour is added, the result is lighter and tends to white.
	Subtractive colour mixing means that one begins with white and ends with black; as one adds colour, the result gets darker and tends to black.
We'll be dealing mostly with subtractive colour systems through this course. One of the most valuable tools in learning about colour is the colour wheel.
	A colour wheel (also referred to as a colour circle) is a visual representation of colours arranged according to their chromatic relationship. Begin a colour wheel by positioning primary hues equidistant from one another, then create a bridge between primaries using secondary and tertiary colours
In any given colour method there are a number of colour groups or types
	Primary Colours: Colours at their basic essence; those colours that cannot be created by mixing others.
	Secondary Colours: Those colours achieved by a mixture of two primaries.
	Tertiary Colours: Those colours achieved by a mixture of primary and secondary hues.
	Complementary Colours: Those colours located opposite each other on a colour wheel.
	Analogous Colours: Those colours located close together on a colour wheel.
The colour wheel can be divided into ranges that are visually active or passive. Active colours will appear to advance when placed against passive hues. Passive colours appear to recede when positioned against active hues.
	- Advancing hues are most often thought to have less visual weight than the receding hues. - Most often warm, saturated, light value hues are "active" and visually advance. - Cool, low saturated, dark value hues are "passive" and visually recede. - Tints or hues with a low saturation appear lighter than shades or highly saturated colours. - Some colours remain visually neutral or indifferent.

Other important terms in colour theory are Chroma, intensity, saturation, luminance/value, shade, and tint.

Chroma, intensity, saturation and luminance/value are inter-related terms and have to do with the description of a colour.

Chroma: How pure a hue is in relation to gray
Saturation: The degree of purity of a hue.
Intensity: The brightness or dullness of a hue. One may lower the intensity by adding white or black.
Luminance / Value: A measure of the amount of light reflected from a hue. Those hues with a high content of white have a higher luminance or value.

Shade and tint are terms that refer to a variation of a hue.
Shade: A hue produced by the addition of black.
Tint: A hue produced by the addition of white.

Class Roster

[ooc: OCD threads coming up]

Flat | Top-Level Comments Only

Because all the pretty colours are, like, pretty, and thus deserving of discussion.

"I look good in orange," Jaye says. "It's a talent. It's a rare one."

"Really?" Zero considers this. "My hair's never been orange."

"Are you thinking about it?" Jaye wonders.

"No, I just did green. Going orange now would damage it too much. Also, what if I missed a spot? Green and orange look weird together."

"You'd look a little analogous," Jaye says, looking at her notes.

"And I don't make a very good analogy," Zero says.

"You looked good with purple hair. I'm staring to get used to the green." Parker tilted her head. "Not many people can carry off that many shades of hair. I look best with brown, anyway."

Angel's quiet and might appear to be taking notes. If anyone got close they might notice he was actually drawing.

How many people could tell he was drawing something that looked like a map, or blueprints, was another thing entirely.

Studio Art | January 31st - Period 7

Class Discussion (31-Jan) - Studio Art

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Re: Class Discussion (31-Jan) - Studio Art