http://geoff-chaucer.livejournal.com/ ([identity profile] geoff-chaucer.livejournal.com) wrote in [community profile] fandomhigh2005-11-22 10:49 am
Entry tags:

Introduction to Western Literature, Lesson Five

Tuesday, November 22, 1:00PM FST

[Professor Chaucer is sitting in his usual spot behind the desk, writing. The room appears to have been decorated with dozens of multi-colored origami cranes.]


In light of the upcoming holiday, I'm going to keep the lecture and discussion brief and give you part of the class period to read or catch up with your classmates.

[Lecture] The Odyssey is the second of the two great Greek epic poems ascribed to Homer, the first of which is the Iliad. The 11,300 line poem follows Odysseus, king of Ithaca, on his voyage home after an heroic turn in the Trojan War. It also tells the story of Odysseus' wife Penelope who struggles to remain faithful, and his son Telemachus who sets out to find his father. In contrast to the Iliad, with its extended sequences of battle and violence, all three are ultimately successful through use of cleverness, and the support of the goddess Athena. This cleverness is most often manifested by Odysseus' use of disguise and, later, recognition. His disguises take forms both physical (altering his appearance) and verbal (telling the Cyclops Polyphemus that his name is "Nobody" then escaping after blinding the Cyclops because Polyphemus cries foul at the hands of "nobody").

The poem is considered one of the foundational texts of the Western canon and continues to be read in both Homeric Greek and translations around the world. While today's Odyssey is usually a printed text, the original poem was an oral composition sung by a trained bard, in an amalgamated Ancient Greek dialect, using a regular metrical pattern called dactylic hexameter. Each line of the original Greek was composed of six feet; each foot a dactyl or a spondee. Among the most impressive elements of the text are its strikingly modern non-linear plot, and its elevation of the status of women and the lower classes. In the English language as well as many others, the word odyssey has come to refer to an epic voyage.

[Discussion] Choose an episode from one of the three 'books' you read for class today, and give me an example of how the Odyssey has influenced modern popular thinking or culture.

Taking a page from the Doctor's book, I'm also going to give you the opportunity to ask me one question about myself if you feel so inclined -- which I will, of course, reserve the right not to answer if I feel it's likely to incriminate me.

Once you've participated in the discussion, feel free to use the remainder of the period for reading or socializing. There will be no office hours today, so if you need to speak to me please do so during this time.

***Assignment for Next Week: Read Plato's Symposium***

The following students have more than one unexcused absence. You need to see me immediately to discuss makeup work or risk failing the class. I will forgive one unexcused absence. More than that requires makeup work.

[livejournal.com profile] ___lily_evans_: two absences
[livejournal.com profile] miss_thomasina: two absences
[livejournal.com profile] studentwillow: four absences

Re: DISCUSSION

[identity profile] the4thsister.livejournal.com 2005-11-22 11:57 pm (UTC)(link)
*Paige makes an insightful and well thought out comment*

((sorry I've gone insane and started a fanfic challenge, I really will post something proper one day!))

Re: DISCUSSION

[identity profile] notcalledlizzie.livejournal.com 2005-11-23 01:03 am (UTC)(link)
*still sneezing, discusses the use of flashbacks and compares it to a modern-ish show/film with flashbacks*

Re: DISCUSSION

[identity profile] miss-thomasina.livejournal.com 2005-11-29 06:41 am (UTC)(link)
In the first book of The Odyssey we find the gods and goddesses offering commentary on the story that is to be unfolded to us. This technique has been expanded upon by more modern authors; the Renaissance playwrights in particular were fond of employing this dramatic device, using gods or ghosts or mythical creatures as their mouthpieces.

Re: QUESTIONS FOR THE PROFESSOR, CHATTING

[identity profile] http://users.livejournal.com/___lily_evans_/ 2005-11-22 08:28 pm (UTC)(link)
"Professor? I'm so sorry I've missed class the last two weeks - I just can't seem to keep my head on straight lately."

Re: QUESTIONS FOR THE PROFESSOR, CHATTING

[identity profile] miss-thomasina.livejournal.com 2005-11-29 06:43 am (UTC)(link)
My apologies, sir, for not making it to my lessons. I have not meant to be absent. Thomasina pauses here, wondering whether an explanation is needed, then continues. I am very sorry to have missed the discussion concering the Greeks, as they are my most favorite of all. What do I need to do to make things right?

Re: OOC

[identity profile] ten-and-chips.livejournal.com 2005-11-22 04:00 pm (UTC)(link)
[leans on the desk and makes faces at the professor, while singing bawdy songs in Medieval Welsh. and then Scottish Gaelic. and then Middle English.]

Re: OOC

[identity profile] ten-and-chips.livejournal.com 2005-11-22 05:07 pm (UTC)(link)
[translates 'Ring of Fire' into Welsh on the fly] I have a personal question for Professor Chaucer.

Re: OOC

[identity profile] ten-and-chips.livejournal.com 2005-11-22 06:04 pm (UTC)(link)
Do you think my hair is strange?

Re: OOC

[identity profile] ten-and-chips.livejournal.com 2005-11-22 06:20 pm (UTC)(link)
[leans across the desk and kisses him] Brilliant! Did I ever tell you you look really cute when you sit like that in your chair, writing?

Re: OOC

[identity profile] ten-and-chips.livejournal.com 2005-11-22 06:38 pm (UTC)(link)
[is in that frame of mind where kissing = always good!] No, you didn't, thank you. Would you like to muss it up yourself?


((I know. Is adorable.))

Re: OOC

[identity profile] ten-and-chips.livejournal.com 2005-11-22 06:48 pm (UTC)(link)
Just go on, then. They're probably all off getting doped up on turkey.

Re: OOC

[identity profile] ten-and-chips.livejournal.com 2005-11-22 06:56 pm (UTC)(link)
Honestly? No. I'm just really, really happy. Is that all right? I can go away.

Re: OOC

[identity profile] ten-and-chips.livejournal.com 2005-11-22 09:18 pm (UTC)(link)
Everything. Holidays. Life. Being alive. The fact that I'm having really good sex.

Re: OOC

[identity profile] ten-and-chips.livejournal.com 2005-11-22 09:24 pm (UTC)(link)
Oh, I'd say the opportunity is right under your nose.

Re: OOC

[identity profile] ten-and-chips.livejournal.com 2005-11-23 01:31 am (UTC)(link)
So where's that hair touselling I was promised?

Re: OOC

[identity profile] ten-and-chips.livejournal.com 2005-11-23 06:00 am (UTC)(link)
Entirely.



Do it again?

Re: OOC

[identity profile] the4thsister.livejournal.com 2005-11-23 01:31 am (UTC)(link)
oi! *waves frantically*