http://steel-not-glass.livejournal.com/ (
steel-not-glass.livejournal.com) wrote in
fandomhigh2010-10-26 01:42 am
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Is A Cigar Just A Cigar, Tuesday, Period 3
"So last week, we discussed how sex is almost always symbolic of something else in literature," Cindy said. And they'd handled the discussion so well, too. Their reaction wasn't why she was continuing the theme--after all, it was on the syllabus--but it did make it all the more amusing. "Sex can stand in for rebellion, for life, for death, for power. Anything at all, except sex. But that's okay: everything else makes up for it. There's tons of sex in literature, it's just not always evident at first glance."
She leaned against the desk again. "Sex very rarely looks like sex when it's first introduced. We have two groups to thank for this: Sigmund Freud and his fellow psychoanalysts and the arbiters of good taste before the modern era, most specifically, the Victorians. In the Victorian age, honest, bald, unhidden sex was nearly impossible to find in polite literature. Shakespeare was edited, fairy tales Bowdlerized, and even chair and table legs were covered by draping fabric so no one would be sullied by the idea that furniture had limbs and so did people. Interestingly enough, with Thanksgiving either just past or around the corner, depending on your view, that's where we got the terms 'white' and 'dark' meat, because asking for a slice of chicken breast or a turkey leg was unsuitable for dinner. But just because sex was unmentionable doesn't mean it was unthinkable. Which is why pornography was so prevalent. But because people liked to pretend they didn't care about it, writers had to find ways to slip it in--" pun not intended "--in such a way that everyone could know what was going on and the censors could pretend it didn't count."
"This idea of sex-disguised as Other got a real jump after Freud published The Interpretation of Dreams in 1900 and introduced the idea of phallic imagery. Anything tall, long, and thing? Secretly a penis. Anything round, deep, or curving? A vagina." Look, kids, she was even using the proper terms here. If you were embarrassed, get over it. "Suddenly it puts things like the Arthurian mythos into a whole new perspective. What's the grail quest? A story about a young man equipped with a lance sent off to find a chalice, an empty vessel, and upon finding it, brings newfound fertility through a parched and famine-stricken land. You don't need a degree in psychology to figure out some of the symbolism there. Don't believe me? Watch this scene from the end of North by Northwest, produced under the Hayes Code of Hollywood. Please note how he refers to the actress--who'd been Eve Kendell throughout the film--as Mrs. Thornhill, his last name in that last scene."
"Still not enough? Let's talk about the basic plot of a famous short story often taught in school. It's about a young boy who wants to please his mother very much and 'he went about with a sort of stealth,' engaging in a constant, strenuous physical activity all by himself. It's rhythmic and frenetic--even frenzied. It makes his sisters and the adults in the house uncomfortable. When he's done, his eyes have a 'strange glare' in them and when he's done, when he 'gets there' as he calls it, he is transported for a moment before he sinks back down, exhausted. What does that sound like to all of you?" Cindy looked out at the students, eyebrow raised. She was curious if someone would be willing to say what most of them, at least, were thinking. "In this case, the boy, Paul, is riding his rocking-horse, but D.H. Lawrence--you remember him from last week, right?-- read Freud and consciously used a lot of psychoanalytic thinking in his stories."
"Now, writing disguised sex isn't so much about creating witty double-entendres or using or being so blatantly obvious about what you really mean that your average twelve year old can understand. It needs to take more an a nudge and a wink to get your point across. The easiest way is to chose a single metaphor and stick with it: food is often used, because not only is it the shared act of consuming, but it also opens up a world of suggestive vocabulary: gnawing, sucking, leering, slurping, licking, groaning. A properly-written meal can sound like something out of the back pages of a certain kind of magazine only read for the articles. Keys are also often used, as they're both phallic and suggestive of house and home. I'm sure you can all catch the symbolism behind a woman who won't let her husband toss his keys into the bowl her lover gave her, or a man singing about how his woman changed the locks on her door and now his key won't fit." She handed out the lyrics while Move It On Over began to play.
"For our class activity today, you're going to write a sex scene. One that contains no sex at all. Pick your metaphor and run with it. It doesn't have to be about two people--Paul's rocking-horse and Thorogood's keys certainly weren't. But you have to write something with sex as a central theme that doesn't explicitly mention sex anywhere. You may begin."
[All links should be SFW, though both the clip and the song have sound.]
She leaned against the desk again. "Sex very rarely looks like sex when it's first introduced. We have two groups to thank for this: Sigmund Freud and his fellow psychoanalysts and the arbiters of good taste before the modern era, most specifically, the Victorians. In the Victorian age, honest, bald, unhidden sex was nearly impossible to find in polite literature. Shakespeare was edited, fairy tales Bowdlerized, and even chair and table legs were covered by draping fabric so no one would be sullied by the idea that furniture had limbs and so did people. Interestingly enough, with Thanksgiving either just past or around the corner, depending on your view, that's where we got the terms 'white' and 'dark' meat, because asking for a slice of chicken breast or a turkey leg was unsuitable for dinner. But just because sex was unmentionable doesn't mean it was unthinkable. Which is why pornography was so prevalent. But because people liked to pretend they didn't care about it, writers had to find ways to slip it in--" pun not intended "--in such a way that everyone could know what was going on and the censors could pretend it didn't count."
"This idea of sex-disguised as Other got a real jump after Freud published The Interpretation of Dreams in 1900 and introduced the idea of phallic imagery. Anything tall, long, and thing? Secretly a penis. Anything round, deep, or curving? A vagina." Look, kids, she was even using the proper terms here. If you were embarrassed, get over it. "Suddenly it puts things like the Arthurian mythos into a whole new perspective. What's the grail quest? A story about a young man equipped with a lance sent off to find a chalice, an empty vessel, and upon finding it, brings newfound fertility through a parched and famine-stricken land. You don't need a degree in psychology to figure out some of the symbolism there. Don't believe me? Watch this scene from the end of North by Northwest, produced under the Hayes Code of Hollywood. Please note how he refers to the actress--who'd been Eve Kendell throughout the film--as Mrs. Thornhill, his last name in that last scene."
"Still not enough? Let's talk about the basic plot of a famous short story often taught in school. It's about a young boy who wants to please his mother very much and 'he went about with a sort of stealth,' engaging in a constant, strenuous physical activity all by himself. It's rhythmic and frenetic--even frenzied. It makes his sisters and the adults in the house uncomfortable. When he's done, his eyes have a 'strange glare' in them and when he's done, when he 'gets there' as he calls it, he is transported for a moment before he sinks back down, exhausted. What does that sound like to all of you?" Cindy looked out at the students, eyebrow raised. She was curious if someone would be willing to say what most of them, at least, were thinking. "In this case, the boy, Paul, is riding his rocking-horse, but D.H. Lawrence--you remember him from last week, right?-- read Freud and consciously used a lot of psychoanalytic thinking in his stories."
"Now, writing disguised sex isn't so much about creating witty double-entendres or using or being so blatantly obvious about what you really mean that your average twelve year old can understand. It needs to take more an a nudge and a wink to get your point across. The easiest way is to chose a single metaphor and stick with it: food is often used, because not only is it the shared act of consuming, but it also opens up a world of suggestive vocabulary: gnawing, sucking, leering, slurping, licking, groaning. A properly-written meal can sound like something out of the back pages of a certain kind of magazine only read for the articles. Keys are also often used, as they're both phallic and suggestive of house and home. I'm sure you can all catch the symbolism behind a woman who won't let her husband toss his keys into the bowl her lover gave her, or a man singing about how his woman changed the locks on her door and now his key won't fit." She handed out the lyrics while Move It On Over began to play.
"For our class activity today, you're going to write a sex scene. One that contains no sex at all. Pick your metaphor and run with it. It doesn't have to be about two people--Paul's rocking-horse and Thorogood's keys certainly weren't. But you have to write something with sex as a central theme that doesn't explicitly mention sex anywhere. You may begin."
[All links should be SFW, though both the clip and the song have sound.]

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Listen to the Lecture
Re: Listen to the Lecture
Re: Listen to the Lecture
Jonothon loved this class very much. He was already trying to come up with an apt metaphor to work with, here, and his mind was practically singing with suggestions.
Re: Listen to the Lecture
Re: Listen to the Lecture
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She should be having a lot of fun with this, but -- no word from Karla yet, and she was worried.
Re: Listen to the Lecture
The assignment for the day was what?
Re: Listen to the Lecture
Re: Listen to the Lecture
Re: Listen to the Lecture
And maybe turned a tiny bit pink.
Class Activity: Write about sex
[As always, class activities are purely opt-in.]
Re: Class Activity: Write about sex
She might have been drawing the Ouroboros (http://upload.wikimedia.org/wikipedia/en/c/c9/Scullyouroboros.jpg) on her page, and then biting her lip, and writing.
She lay down, cushioned her head on her hands, and tried not to flinch as the needle buzzed against her skin. Her fingers clenched around her new friend's....
Re: Class Activity: Write about sex
He scrawled and then crossed out several things while he pondered the assignment.
Re: Class Activity: Write about sex
You would think wrong.
Chloe spent a great deal of time staring at her paper and trying to figure out what to write.
Re: Class Activity: Write about sex
She watched, breath held without her even realizing, as his fingers played along the strings of his guitar, creating music the likes of which she'd never been interested in before. But there was something in the way he played, something in the way he took the edge off of notes that would have otherwise struck her as sharp and wild, and made them into something softer, milder. Changed them into something welcoming, instead.
She closed her eyes, letting the music carry her away, and didn't open them again until the song had ended. The two of them sat, embracing the silence, reflecting on the melody that he'd shared with her. And then, finally, she tossed a coin into his open guitar case and she spoke.
"Do you take requests?"
Re: Class Activity: Write about sex
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Re: Class Activity: Write about sex
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Re: Class Activity: Write about sex
Re: Class Activity: Write about sex
So he gritted his teeth, stared resolutely at his desk so that he could pretend no one else was in the room, and started writing. Very, very slowly. (He almost went for a story about a dentist, but then realized that then he'd never be able to do actual dentistry without thinking about it. And that would be awkward.)
He looked up at her for a moment, studying her face, trying to read the thoughts behind her eyes. She gave him an encouraging little smile, and a nod.
He smiled back a bit awkwardly, then looked back down. He gripped his pen lightly, trying to keep his hand from shaking, and gently pressed the tip against the page. One stroke. Two. Three. Beginning slowly, but picking up both speed and confidence as he found the proper rhythm. And then he was done, the pen thrusting forward to dot the final period.
He leaned back with a deep breath, and looked up at her again. Hope and satisfaction both dancing in his eyes. And she smiled back. "Excellent work."
That was all he needed to hear.
Re: Class Activity: Write about sex
He thrust his sword into an opponent repeatedly.
When it was over, he was sweaty and tired.
A literary master, Squall wasn't. At least he'd a) understood the assignment and b) actually bothered to do it?
Re: Class Activity: Write about sex
His body slipped to the ground, gasping for breath, heart racing. His back arched in desperate panic.
His soul was no longer in his body. His soul twined ethereal fingers through her own, as she lead him through a dark, quiet alleyway. Away from all of this.
In a field, his soul saw the most beautiful lights he had ever seen. He followed willingly as the lights swallowed him up. Far away, his body stiffened, empty, spent, and alone.
Only she remained.
If anyone asked, George was going to say she had a bizarre imagination and a morbid fixation on death.
Re: Class Activity: Write about sex
What a shocking concept.
So she wrote something she'd observed many, many times at home, and thanks to her gift, she knew that the sex part wasn't purely metaphorical: it was always at the forefront of the participants' minds.
She bent across the table, her breathing heavy as she peeked over her shoulder, shooting him a small, nervous smile. "Like this?"
He shook his head slightly, slipping a hand around the narrow curve of her waist, and leaned against her back. She could feel him behind her -- the steadiness, the weight of him, his masculine smell of sweat and cheap aftershave making her head light. He reached, with his other hand, to adjust her grip, shifting against her to twist her hips, change her stance.
He pulled back, his lips grazing her cheek as her back arched beneath him, his hips against her as the pole was adjusted. "Remember, you're stripes," he said gruffly, setting the shot up for her. Their bodies remained together as she worked to sink a ball, and when she was successful, their elation was palpable and exhausting.
Talk to the TA
Re: Talk to the TA
At least if the uncomfortable set to his shoulders and the bright red color of his face were anything to go by.
Talk to "Professor Perrault"
OOC
Re: OOC
I HAVE BEEN LOOKING FORWARD TO THIS ONE FOR WEEKS, NU.
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