Ghanima Atreides (
atreideslioness) wrote in
fandomhigh2010-09-22 12:00 am
Entry tags:
Cultural Appreciation, Week IV [Wednesday, Periods 4 & 5]
"Broadway theatre, commonly called simply Broadway, refers to theatrical performances presented in one of the 40 large professional theatres with 500 seats or more located in the Theatre District, New York and in Lincoln Center, in Manhattan, New York City. Along with London's West End theatre, Broadway theatre is usually considered to represent the highest level of commercial theatre in the English-speaking world. The Broadway Theatre district is a popular tourist attraction in New York City, New York."
"New York did not have a significant theatre presence until about 1750, when actor-managers Walter Murray and Thomas Kean established a resident theater company at the Theatre on Nassau Street, which held about 280 people. They presented Shakespeare plays and ballad operas such as The Beggar's Opera. In 1752, William Hallam sent a company of twelve actors from Britain to the colonies with his brother Lewis as their manager. They established a theater in Williamsburg, Virginia and opened with The Merchant of Venice and The Anatomist. The company moved to New York in the summer of 1753, performing ballad operas and ballad-farces like Damon and Phillida. The Revolutionary War suspended theatre in New York, but thereafter theatre resumed, and in 1798, the 2,000-seat Park Theatre was built on Chatham Street, now called Park Row. By the 1840s, P.T. Barnum was operating an entertainment complex in lower Manhattan. In 1829, at Broadway and Prince Street, Niblo's Garden opened and soon became one of New York's premiere nightspots."
"Theater in New York moved from downtown gradually to midtown beginning around 1850, seeking less expensive real estate prices. In 1870, the heart of Broadway was in Union Square, and by the end of the century, many theaters were near Madison Square. Theaters did not arrive in the Times Square area until the early 1900s, and the Broadway theaters did not consolidate there until a large number of theaters were built around the square in the 1920s and 1930s. As transportation improved, poverty in New York diminished, and street lighting made for safer travel at night, the number of potential patrons for the growing number of theaters increased enormously. Plays could run longer and still draw in the audiences, leading to better profits and improved production values."
"Today we're going to go see a Broadway show," Ghanima said. "STOMP is a high-energy, percussive symphony, coupled with dance, played entirely on unconventional instruments, such as garbage can lids, buckets, brooms and sticks. It is movement made original through the use of everyday objects in non-traditional ways. There’s no traditional storyline, per se, except maybe a running gag involving a character who marches to the beat of a different drum, literally." She smiled, dimpling as she held up a small bag. "For those who have sensitive ears or dislike loud noise, I do have earplugs, as it can get rather loud towards the end of the show."
[OOC: Postisn't up until the OCD sings! discovered the OCD wasn't Equity, but opened the house anyway!]
"New York did not have a significant theatre presence until about 1750, when actor-managers Walter Murray and Thomas Kean established a resident theater company at the Theatre on Nassau Street, which held about 280 people. They presented Shakespeare plays and ballad operas such as The Beggar's Opera. In 1752, William Hallam sent a company of twelve actors from Britain to the colonies with his brother Lewis as their manager. They established a theater in Williamsburg, Virginia and opened with The Merchant of Venice and The Anatomist. The company moved to New York in the summer of 1753, performing ballad operas and ballad-farces like Damon and Phillida. The Revolutionary War suspended theatre in New York, but thereafter theatre resumed, and in 1798, the 2,000-seat Park Theatre was built on Chatham Street, now called Park Row. By the 1840s, P.T. Barnum was operating an entertainment complex in lower Manhattan. In 1829, at Broadway and Prince Street, Niblo's Garden opened and soon became one of New York's premiere nightspots."
"Theater in New York moved from downtown gradually to midtown beginning around 1850, seeking less expensive real estate prices. In 1870, the heart of Broadway was in Union Square, and by the end of the century, many theaters were near Madison Square. Theaters did not arrive in the Times Square area until the early 1900s, and the Broadway theaters did not consolidate there until a large number of theaters were built around the square in the 1920s and 1930s. As transportation improved, poverty in New York diminished, and street lighting made for safer travel at night, the number of potential patrons for the growing number of theaters increased enormously. Plays could run longer and still draw in the audiences, leading to better profits and improved production values."
"Today we're going to go see a Broadway show," Ghanima said. "STOMP is a high-energy, percussive symphony, coupled with dance, played entirely on unconventional instruments, such as garbage can lids, buckets, brooms and sticks. It is movement made original through the use of everyday objects in non-traditional ways. There’s no traditional storyline, per se, except maybe a running gag involving a character who marches to the beat of a different drum, literally." She smiled, dimpling as she held up a small bag. "For those who have sensitive ears or dislike loud noise, I do have earplugs, as it can get rather loud towards the end of the show."
[OOC: Post

Sign-In IV
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During the Lecture
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He felt like a little boy all over again.
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Theater. Whatever. It was probably going to be all boring and old.
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Before!
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He really needed a job.
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In a setting like this, she felt very much like a simple country girl.
The Show!
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They even managed to work in the kitchen sink.
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After!
Talk to the TA
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Talk to Ghanima
OOC
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Trufax: After seeing this show with my dad when they were on tour, I spent about an hour afterwards drumming on his head with two rolled-up programs.