fandomhigh | Is A Cigar Just A Cigar, Tuesday, Period 3

A stack of papers sat on Cindy's desk today; as soon as everyone was seated, she nodded at Jaime ~~if he was there~~ to begin passing them out. "This is your syllabus for this semester. Be warned, items may move on a whim--specifically mine--because I feel like teaching something different that day. Everything listed here will be covered and possibly more besides, but the when isn't set in stone, okay?"

"Today, however, we will be following it and discussing where symbols come from. Now, because this is a high school survey course, we're mostly going to be sticking with works that use Western symbolism and sources. This is not to say that there aren't plenty of amazing works from other cultures, and I heartily encourage you all to read some, but working from the Western canon means at least a higher likelihood that you'll already have some passing familiarity with the works in question and I can make broad sweeping generalizations about certain symbols and aspects without adding a whole mess of qualifiers."

She reached into her desk and pulled out four heavy books: the Bible, The Complete Works of Shakespeare, Edith Hamilton's Mythology, and a brightly-colored book titles Fairy Tales for Children. "The first broad sweeping generalization I get to make is this: When in doubt, the symbol you're looking at probably came from one of these four sources. There are very few other works that come close to the cultural embedding we see from these. Many students reading Amleth for the first time are astonished to find line after line of quotes they recognize, and even people who do not follow the Bible or the Christian religion can recognize certain repeating themes from within its pages. For centuries, knowledge of the Greek and Roman myths were required to be considered an educated individual, and many of us were told bedtime stories from from the pages of the Grimm Brothers or Hand Christian Anderson. The tales themselves may have been abridged and adapted, but enough remains for them to be recognizable. Anytime you read a story about a girl with a hard home life who gets a bit of supernatural assistance to go to a party where she meets a cute boy, but she has to flee, leaving behind only a trinket for him to find her by, you're reading a version of Cinderella, even if no fairy godmother, wicked stepmother, or glass shoe makes an appearance."

She managed to say that with no irony at all. Cindy was very proud of herself.

"Folktales to mythology to religion to the Bard, all of these have seeped deeply into our collective consciousness. If there's a garden in the book, there are some pretty good odds that the author is trying to evoke the Garden, Eden, from the Book of Genesis. A young man with conflicted, possibly sexual feelings for his mother? Well, that's Amleth--from Shakespeare--who himself was reaching back to ~~meta for-~~Oedipus, by Sophicles. Then question them becomes, 'why.' Why is the author trying to get you to make these connections? What is he or she trying to do with them? The answer is this: by invoking these symbols, the author is letting you do more of the work. When you read a symbol, even if you don't fully recognize it for what it is, it informs your reading of the rest of the work. It makes things easier to grasp and understand. When we read about two brothers with an uneasy, possibly even antagonistic relationship, the echoes back to Cain and Abel situate the story beyond just the pages of the text. No author wants to give you a book that you cannot latch onto. They all want their texts to connect with things you already know, to resonate with you. By drawing on these cultural contexts in their works, they're letting the knowledge that you bring with you ground their novel into other aspects of your life. It also lets their stories offer a deeper meaning without hitting you over the head with it."

[~~Wait for~~ OCD is up. NOW you can start pinging.]

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//I am right, occasionally,// Jono noted. And yes, he was barely refraining from preening, now. //It's entirely possible that I've spent too much time trying to grasp for victory in th'face of so much loss that now I'm digging to find it where I shouldn't be... but in this case, I'd prefer to keep believing that it's justified.//

He shrugged. //Nothing worth having comes without a price.//

Scully looked down at that, and saw her own hand tightening on the pen; her very young hand, and wondered what she'd give up to get her life back. And what it would take to get Mulder's quest for the truth finished.

"I think it's there," she said, voice quieter. "The victory. Or can be. We'd just... have to think outside the box. Construct some wings." She studied Jonothan, wanting to ask what victory he was working toward. It was an easier question than loss. "What are you trying to win?"

//Me...?//

Jonothon wasn't really used to being asked questions that were quite so forward. It took him a moment to muddle his way through an answer that didn't give away everything that he was running from back home.

//My dignity.//

Ouch. Scully was not going to follow up on that. Dignity was something so basic, that to have to fight for it... And she'd had enough problems with being a woman in the bureau and Spooky Mulder's partner, that she could empathize, if only a little. "Something worth fighting for." She nodded. "No matter what."

Jono gave her an odd little look at that, and then finally shook his head.

//There are a few exceptions to that 'no matter what' that I'd be willing to make,// he noted. //My dignity isn't necessarily worth a repeat of Icarus.//

"Ah, no." Scully frowned a little, then said, "More ... I was thinking of how I- I would behave. If my dignity were under attack. Trying to rise above it." She leaned on one hand. "Not that it's ever easy, in those circumstances."

//No,// Jono replied, his tone falling a little flat. //Not particularly.//

He tapped the lid of his pen against his knee for a moment, and then he shrugged.

//Trick is to know just how high you need to rise before you risk being thrown back down again. Always has been. Since well before Icarus.//

"Which is probably why we still know the myth," Scully said, realizing they'd come full circle. "Since all that symbolism is still valid. A thousand years doesn't matter, or having no kings. It's all the same."

//And as long as there are people with something worth reaching for,// noted Jonothon, //it always will be. And we'll always have to be careful that we're not bringing about our own downfall in the end, when th'best outcome has always been right there, well within reach.//

Is A Cigar Just A Cigar, Tuesday, Period 3

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