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fandomhigh2010-05-17 10:52 am
chosehumanity) wrote in fandomhigh2010-05-17 10:52 am
Entry tags:
Birth of TV Comedy, Monday First Period
"And this week, we're starting with the actual comedy," Mitchell said, without really seguing much. "Not to disparage anyone's jokes, but I think some of you are dearly in need of some education."
He clapped his hands.
"Let's start at the beginning," he said. "Like most genres in television, the TV comedy was birthed from the radio tradition. In fact, in the old days, some sitcoms on TV ran concurrent with similar shows on the radio, such as Hancock's Half Hour. Sadly, a lot of these series have been lost, such as Pinwright's Progress, which was never recorded in a fashion it could be recovered in."
Mitchell had seen it. Not that he'd brag about it.
"So sadly, we have to look to the sixties for the real material. If you stay in Britain, at least. The 'sitcom', the situational comedy, was always the most prevalent kind of TV comedy. The other two options were stand-up and sketch comedy; the former involved a single person, sometimes two, talking to the audience. The second involved unrelated short bits of comedy, stuffed into a single show. Likemeta for Monty Python, but we'll be getting to that next week. Sitcoms, on the other hand, had a consistent storyline set in a situational background. Like a family, or a business."
He pushed himself up out of his chair. "So much for the boring background," he said, "We're here to watch TV, right? Early fifties, and the sixties. We'll show some examples of British and American sitcoms and see about the differences."
Beat.
"And then I want you all to tell me which part of your life would work the best as a sitcom. Just for the fun of it."
[[wait for the ocd up! ]]
He clapped his hands.
"Let's start at the beginning," he said. "Like most genres in television, the TV comedy was birthed from the radio tradition. In fact, in the old days, some sitcoms on TV ran concurrent with similar shows on the radio, such as Hancock's Half Hour. Sadly, a lot of these series have been lost, such as Pinwright's Progress, which was never recorded in a fashion it could be recovered in."
Mitchell had seen it. Not that he'd brag about it.
"So sadly, we have to look to the sixties for the real material. If you stay in Britain, at least. The 'sitcom', the situational comedy, was always the most prevalent kind of TV comedy. The other two options were stand-up and sketch comedy; the former involved a single person, sometimes two, talking to the audience. The second involved unrelated short bits of comedy, stuffed into a single show. Like
He pushed himself up out of his chair. "So much for the boring background," he said, "We're here to watch TV, right? Early fifties, and the sixties. We'll show some examples of British and American sitcoms and see about the differences."
Beat.
"And then I want you all to tell me which part of your life would work the best as a sitcom. Just for the fun of it."
[[
Re: Talk to Mitchell
Yes, because you weren't doing a brilliant job of sulking right now, Mitchell.
"Maybe we all just need to go out. Have some fun. Air it all out a bit."
A werewolf, a ghost, a vampire, and two recalcitrant teenagers in a pub. Smashing idea.
Re: Talk to Mitchell
"I'm in whenever the rest of you feel up to it," he said. He halfway wondered if adding Emma (and Bod, since Kate seemed to be more than friendly with him) to the little excursion would make things better or worse. Likely worse.
Re: Talk to Mitchell
Mitchell would've started to develop a nice, normal hatred of all things complicated if he wasn't aware he was on top of the list, and in his finer, more hypocritical moments, he actually did flirt with the idea.
"Maybe I'll punt the idea over to Kate if she can find a hole in her busy flouncing schedule," he said, which was lucky more on the sardonic end and less on the whiny.