chosehumanity (
chosehumanity) wrote in
fandomhigh2009-09-01 07:35 am
Entry tags:
World Wars and the Media, Tuesday
"Good morning, everyone." Mitchell's cheer seemed a little heavy on the sheepish side that morning. "I'm Mitchell. Not Professor Mitchell - I hear you have to go to school to earn that. Welcome to World Wars and the Media. Which is a fairly impressive title and sounds properly academic, which I'm not." Unless you counted that stint in Oxford in the thirties, and Mitchell had made very sure at the time no one was around to remember that. At least it was a little more optimistic than his original idea of starting the class, which had involved saying I have absolutely no idea how to teach a class like this and possibly George having a massive fit, if things went the way they tended to.
"But let's not linger on that. The 20th century is famous for its global wars and equal consequences," he segued. "It's equally famous for being a time at which the media exploded all over the place, giving us film, radio, television, the internet..." He looked momentarily wistful. "Obviously, these two cross-pollinated. Through propaganda, but also through the reverse. Rebellions were started and extinguished with the help of rising technology. Unlike previous centuries, there was suddenly this mass of... possibility," he made an enthusiastic gesture with his hands, "Where in the middle of an armed conflict, one single image could travel around the world and change everything. The way the people saw it, the way the people thought about it... It's a powerful tool."
He paused, leaning forward against his desk. "I'm not going to bore you with more general babbling," he said, "But we'll be here to look at and discuss a lot of these things. Of course, to do so, we have to know what we're starting with. So starting with you," he pointed out a random student, "I want your name, I want when and where you're from, and I want to know what you think about war. In a very general sense. What images spring to mind what you think about it? What stories have formed the way you look at the First World War, or the Second, if you even know what those are? Or if you don't, what stories have formed the way you look at the wars of your own place and time?"
Beat.
"Also, have some tea."
[[wait for the ocd up! ]]
"But let's not linger on that. The 20th century is famous for its global wars and equal consequences," he segued. "It's equally famous for being a time at which the media exploded all over the place, giving us film, radio, television, the internet..." He looked momentarily wistful. "Obviously, these two cross-pollinated. Through propaganda, but also through the reverse. Rebellions were started and extinguished with the help of rising technology. Unlike previous centuries, there was suddenly this mass of... possibility," he made an enthusiastic gesture with his hands, "Where in the middle of an armed conflict, one single image could travel around the world and change everything. The way the people saw it, the way the people thought about it... It's a powerful tool."
He paused, leaning forward against his desk. "I'm not going to bore you with more general babbling," he said, "But we'll be here to look at and discuss a lot of these things. Of course, to do so, we have to know what we're starting with. So starting with you," he pointed out a random student, "I want your name, I want when and where you're from, and I want to know what you think about war. In a very general sense. What images spring to mind what you think about it? What stories have formed the way you look at the First World War, or the Second, if you even know what those are? Or if you don't, what stories have formed the way you look at the wars of your own place and time?"
Beat.
"Also, have some tea."
[[

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meta forCasablanca, andmeta forThe Great Escape." She frowned. "Not as much about World War I. Barbed wire, and trenches, and gas. Ugh."Then she stopped. "But in my own life, I have friends here at school who are involved in all sorts of wars back at their homes, fighting with different technologies, and different ideals. And I know what it's done to some of them, a lot of it bad. But most of them are what people in New Gotham would call heroic."
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and was kind of responsible for it, oops. So war has shaped my idea of war. I think it's not pretty, but it is often necessary if we're going to have a finer world one of these bloody days."Re: Introductions
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Growing up post-9/11 in a family that didn't really support the war was probably showing.
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He'd mostly shucked the Great War nationalism. Seriously.
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Animals didn't have to be turned over if they had 'broken free' from the farms, after all.
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She shrugged.
"--War happens. It's part of life."
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... The syllables amused him, yes. He grew more sober at the rest of her answer. "There's a war on where you're from, then?"
There were a lot of these kids, it'd seem.
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Ino tugged her hair. "It's been fairly peaceful for most my life, but we had a war end when I was three, and another one only a few years before that." And a demon mauling their village in-between that. Ino shrugged a bit. "War is--pretty perpetual. Ten years peace was unusual. A lot of things are sort of peeling apart now 'cause of it."
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"Sometimes war is necessary, usually it's not. And sometimes you have to go against orders because idioots giving them are complete and utter power-hungry nimwits."
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She thought for a moment. "Well...that's not entirely true. I have seen the aftermath of what people call gang wars. It's...ugly. And stupid. And I don't really understand it."
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Of course she had to mention him.
"So, basically, I live in a future where the media has played a heavy part in our wars. Not only that, but I want to be a historian of sorts and write about the Formic Wars, so I've got a very heavy interest in this subject and am very excited for the chance to explore it."
Geez, Valentine, don't be shy or anything...