chosehumanity (
chosehumanity) wrote in
fandomhigh2009-06-05 11:10 am
Entry tags:
TeeVee for Beginners, Friday Period Two
They were not in a classroom today. In fact, they were in the gym. And there weren't any couches, just very cold, very plastic chairs. The A/C was running on high. There was a flatscreen at the front of the class, which Mitchell was standing in front of - many feet away from the chairs.
He had some wads of cotton plugged up his nose. With his complexion, he figured he could get away with saying he was simply a bit ill. It wasn't that whatever was happening affected him, but it meant that the air was full of pheromones - of desire, want, blood rushing heavily through veins and--
It disgusted him. He didn't want to hurt any of them. He would've stayed at home, if he hadn't been afraid it'd cost him his job. "Today, we'll be discussing recent television," he started, "It's faster-paced, cut more rapidly, making its departure from the theatre." He wasn't planning to be speaking long today. His classes always seemed to be affected by this sort of business. "Some say it's because our cultural attention span has gotten so short. Some say it's simply because we can absorb more information than we did previously. I'm not a scientist, I can't tell you which one it is, but I can tell you that modern standards of comedy seem to have fallen quite a bit."
"The television medium is much more scattered now. There's far more channels than in the past, when at best you'd get five or six. Now, you can watch a hundred different things or more, geared towards your tastes, wishes, and expectations. Cooking channels, comedy channels, news channels. Anything you might want to learn, anything you might want to follow, anything you might want to have fun with? It's there on the TV. Just a click of the remote away."
He went into a bit of a routine about sci-fi and fantasy channels and fiction, but it was a bit sketchy, along the lines of, 'sci-fi is about the future, fantasy has dragons, all of these types have their standards'. "Then there's the sitcom," he finished, at last, "Developed back in the 50s, perfected in the 80s. Situational comedy. A cast of characters operating from the same 'situation', like a drama with jokes. It's often about the dialogue."
He pointed at the TV with the remote. "Today, we'll be watching different channels. You'll discuss what defines each and every one of them. What are the most obvious visual markers? Who does the channel seem to be geared at? Would you watch it on your own?"
He had some wads of cotton plugged up his nose. With his complexion, he figured he could get away with saying he was simply a bit ill. It wasn't that whatever was happening affected him, but it meant that the air was full of pheromones - of desire, want, blood rushing heavily through veins and--
It disgusted him. He didn't want to hurt any of them. He would've stayed at home, if he hadn't been afraid it'd cost him his job. "Today, we'll be discussing recent television," he started, "It's faster-paced, cut more rapidly, making its departure from the theatre." He wasn't planning to be speaking long today. His classes always seemed to be affected by this sort of business. "Some say it's because our cultural attention span has gotten so short. Some say it's simply because we can absorb more information than we did previously. I'm not a scientist, I can't tell you which one it is, but I can tell you that modern standards of comedy seem to have fallen quite a bit."
"The television medium is much more scattered now. There's far more channels than in the past, when at best you'd get five or six. Now, you can watch a hundred different things or more, geared towards your tastes, wishes, and expectations. Cooking channels, comedy channels, news channels. Anything you might want to learn, anything you might want to follow, anything you might want to have fun with? It's there on the TV. Just a click of the remote away."
He went into a bit of a routine about sci-fi and fantasy channels and fiction, but it was a bit sketchy, along the lines of, 'sci-fi is about the future, fantasy has dragons, all of these types have their standards'. "Then there's the sitcom," he finished, at last, "Developed back in the 50s, perfected in the 80s. Situational comedy. A cast of characters operating from the same 'situation', like a drama with jokes. It's often about the dialogue."
He pointed at the TV with the remote. "Today, we'll be watching different channels. You'll discuss what defines each and every one of them. What are the most obvious visual markers? Who does the channel seem to be geared at? Would you watch it on your own?"

Re: Talk to Mitchell
Jack's sex pollen-assisted hormones didn't especially care, strangely enough. They decided that, with the way this week had been going, trying to chat up Professor Mitchell would be a brilliant capper.
... all right. Jack would have been entirely capable of deciding something like that without extra sex pollen assistance. Anyhow, he had a question! An entirely logical, important, class-based question.
"Professor Mitchell?" he began, and his manners were, for the moment at least, entirely appropriate. "May I ask you about something they mentioned on the news channel?"
Re: Talk to Mitchell
(I am not going to be a shark)
"Sure," he said, casually. "Shoot."
Re: Talk to Mitchell
... no, no one had showed him the Internet yet.
Re: Talk to Mitchell
Sometimes these things slipped his notice, although for a vampire of his age, back home, he was pretty good in comparison.
Re: Talk to Mitchell
And if that were really all, he would be going. But it wasn't all, so he stood there for a second, idly fidgeting with a piece of hair, and finally came out with, "Are you sick?"
Re: Talk to Mitchell
"No, I'm..." He tried to smile as disarmingly as possible, "I just quit smoking."
It was always the easiest explanation for the slight tremble his body had on a regular basis.
Re: Talk to Mitchell
A schoolgirl crush on a teacher. (Really, Jack, haven't we already been here?) He would roll his eyes at himself later. Right then, it felt appropriate to murmur sympathetically even though he wasn't entirely sure what stopping smoking had to do with anything. "I'm sorry," he said. "And you had a bit of a nosebleed, too, it looks like."
Re: Talk to Mitchell
He felt a light thunk-thunk-thunk at the back, and that wasn't good, though. "Thanks for asking," he said, "But don't you have a whole day left ahead of you that doesn't involve any teachers?" When I was your age, he nearly started.
Re: Talk to Mitchell
It would be a surprise visit, and a bit soon for one, but Jack was almost certain he could make Sebastien not mind.
Re: Talk to Mitchell
"Yeah, but there's got to be more interesting things to do than to talk to an old dodger like me," he said, with some irony. "When I was your age," impulse given into, "I couldn't wait to get out there after class. Sometimes even during."
Thunk-thunk-thunk. He needed to get better cotton, except he knew that wouldn't really help.
Re: Talk to Mitchell
Re: Talk to Mitchell
He was a teacher. That meant he had tools at his disposal to shoo students out, right? He was going to have to do that before the noise overwhelmed him.
Re: Talk to Mitchell
... no, he still wasn't going anywhere. Stupid, stupid boy, stupid sex pollen.
Re: Talk to Mitchell
meta forCasablanca so he could show George the part where he'd thrown over that chair.... he was getting distracted by the thrumming.
He knitted his half-gloved fingers together. "Jack," he started, "I think it's time for you to start packing up, though, yeah?"
Re: Talk to Mitchell
The train ride to see Sebastien, though ... that was sounding better every moment.
"I'll see you in class next week, then. Sir."
Re: Talk to Mitchell
At the same time, he was berating himself for saying something even remotely encouraging on this issue, but he hoped at least this-- endless--
He glanced sideways at the class to hide the shimmer of black that appeared over his eyes between eyeblinks, then vanished on the next. He turned back to offer Jack a last nod in goodbye.
Re: Talk to Mitchell
"I will," he said, by way of goodbye, and took his leave.
Re: Talk to Mitchell
He should call Max and get out of town; he had a feeling the big guy wouldn't mind a quick escape.