2021-02-01

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The Art of Japanese Culture through Untranslatable Words; Monday, Fourth Period [02/01].

"Welcome back, ducklings ♥," Shunsui greeted them from his spot on in the circle, gesturing for the students to join him and help themselves to partake in the usual offerings of hot cocoa or tea. "No trips or elaborate set-ups today; today, we will mostly be discussing, which is ironic, as the word we will be discussing today focuses heavily on non-verbal communication. Because of that, allow me to waste no more words than necessary and get right into it:

haragei
腹芸
visceral, indirect, non-verbal communication


"Directly translated, haragei actually means 'art of the stomach,' though that does not mean I am looking to have my next class about cooking ♥. In fact, the concept is more along the lines of what we call in English as a gut reaction, but, again, not quite. It is like a sixth sense, but specifically with communication. It is when two people...or sometimes more...can communicate and exchange thoughts and feelings with eachother 'belly to belly'...that is, from a deep sense deep within their cores without the use of words. The Japanese tend to rely heavily on non-verbal clues and emotional context when communicating with each other, sometimes favoring them over words in anything from conversations with friends to dealing with new business associates or enemies on the field ♥."

That got a particular grin out of Shunsui, because how many times had he been in battles where someone was being accused of talking too much? Or conversely never enough?

"Facial expressions, timing, small sounds, and even silence can all convey various messages, mask true emotions, and influence where a conversation may go, and it is all haragei, the art of the stomach ♥. Well-placed silences can show approval of an idea as well as wanting to avoid a direct confrontation over it. A small hissing sound," which he demonstrated in a clearly indecisive fashion, "to indicate one's discomfort or uncertainty. A nod, a gesture of a hand," his own hand swept in the air briefly, "the minute increase of a smile or the shrug of a shoulder ♥. We can say so much without ever uttering a single word, and that is haragei ♥.

"And as you can surely guess," Shunsui smiled, dipping his head for a moment, and letting a small silence settle in to suggest that he didn't necessarily need to use words to tell them what he was about to, because they were fair clever and could see this coming, no doubt, "I'd like you to try and use elements of haragei in your interactions this week, or at least be aware of some of your own personal ways of expressing it. And, until then, let's try and see if we can think of other examples of haragei in use, in your own cultures and experiences, as well ♥."
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Fuck Yeah! Science! - Monday Period 2

Today everyone met in the Danger Shop and the room had been set up in a strange fashion.

On the far end of the room were small wooden and stone structures which were apparently inhabited by loud green pigs.

On the nearby side of the room there was a sling shot stuck in the ground and a bunch of brightly colored birds all around the students.

"Today we are going to do practical experiments on initial velocity, launch angles and air resistances on an object."

...

"By launching a bunch of willing birds through a sling shot and hitting a bunch of pigs."

Look. He spent the weekend moving stuff all over a galaxy. Just be glad he showed up for a lesson.
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Creative Writing- Monday- 1st period

"Today we're going to talk about characters," Nick greeted the class. "They're the main part of your story, they're the ones everything happens to, they're pretty important. So what kinds of characters do you want to write? What kinds of characters do you like?"

Let it be known that Nick was talking out of his ass for the entirety of this class. He knew nothing. He had to be hands off for this.

"So uh, why don't you come up with a character, and then fill out one of these handy worksheets to help figure out all the details about them," he said, passing them out, "and you can work on that this class period."

Easy enough!

And then he actually took a look at the worksheet. "That's a lot of questions."
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Let's Get Creative!, Monday, Period Three

"The thing about becoming more creative is that's it's not just something you switch on and off for a class," Aphra said. "If you do that you can't deal creatively with all unexpected, and it means you can't change problems into opportunities.

"Which is why today you're going to learning by watching an example of what it's like to truly live creatively."

Which meant it was time for another screening of the lady heist movie.