glacial_queen: (Default)
glacial_queen ([personal profile] glacial_queen) wrote in [community profile] fandomhigh2016-06-08 04:44 am
Entry tags:

Modern Shakespeare, Wednesday, Period 1 & 2

After the violent disaster that had been Jono and Hannibal's wedding (of which she had contributed much of the violence), Karla was tempted to show Ran. But she wasn't sure Peridot's reading level was up to snuff to follow the subtitles. So, instead, she had another movie that discussed violence in its many variations and the effect it has on the text. But before she could start the movie, there was something she had to clear up first.

"Okay, so everything in the documentary...forget it," Karla said, rubbing her temples. "I'm sorry. It was just...yeah, everything about it was wrong. Hilarious, but wrong." It was below her Queenly dignity to admit that she'd gone home and snickered at all the words Philomena had underlined with her finger. And then sent it to Ender, because what was the point of having friends if she couldn't troll them? "So, take it as a joke--a parody--and let's move on."

There, that done, Karla could move onto the proper lecture. "So, one of the benefits of modern adaptations is the ability to look at the plays in ways that Shakespeare and his contemporaries could never have imagined. There are new ways of looking at the text, like feminist criticism or queer theory--that is, examining the plays with an eye towards how gender or sexuality is constructed. And with that, comes a focus on minor characters. Modern adaptations can expand upon their roles or delve deeper into their characterizations, or even use them to shed new light on the text. Today, we're looking at one of the most famous examples of this, by revisiting our first play, Amleth."
fjordicswagger: (tamsin: heeee)

Re: OOC

[personal profile] fjordicswagger 2016-06-08 09:27 am (UTC)(link)
Ah, Rosencrantz and Guildenstern Are Dead, literally the only thing that got me through my university Shakespeare courses.
fjordicswagger: (tamsin: not very happy)

Re: OOC

[personal profile] fjordicswagger 2016-06-08 09:29 am (UTC)(link)
LOOK I'M SORRY BUT I AM THE TOTAL OPPOSITE OF A THEATER KID. I HAVE TWO YEARS OF TEETH GNASHING DURING THEATER STUDIES COURSES TO PROVE IT.
studyingfear: (Default)

Re: Sign In (06/08)

[personal profile] studyingfear 2016-06-08 09:44 am (UTC)(link)
Rufus Shinra
crimson_sister: (Default)

Re: Sign In (06/08)

[personal profile] crimson_sister 2016-06-08 10:49 am (UTC)(link)
Lucille Sharpe
crimson_sister: (Default)

Re: OOC

[personal profile] crimson_sister 2016-06-08 10:50 am (UTC)(link)
And now I'm reminded I have to watch it again.
crimson_sister: (looking away)

Re: Listen to the Lecture

[personal profile] crimson_sister 2016-06-08 10:55 am (UTC)(link)
Lucille had never heard of either feminist or queer theory, but made notes. Perhaps she would find a book on either of them in the library and make her own opinion on how they could be related to Shakespeare.
endsthegame: (+ valentine ready now)

Re: Talk to the Teacher

[personal profile] endsthegame 2016-06-08 10:56 am (UTC)(link)
Yes.

That single-word reply said everything, surely.
crimson_sister: (Default)

Re: Discussion

[personal profile] crimson_sister 2016-06-08 10:57 am (UTC)(link)
"It is a strange story," Lucille said. "But... interesting and well written."
Edited 2016-06-08 11:14 (UTC)
era_two_triangle: (Eww)

Re: Sign In (06/08)

[personal profile] era_two_triangle 2016-06-08 11:09 am (UTC)(link)
Peridot
era_two_triangle: (Made To Order)

Re: OOC

[personal profile] era_two_triangle 2016-06-08 11:10 am (UTC)(link)
Why is it that I believe that this is not hyperbole?
wildandbrave: (Interested)

Re: Sign In (06/08)

[personal profile] wildandbrave 2016-06-08 03:56 pm (UTC)(link)
Cosette Fauchelevent
intotheout: (cheekbones)

Re: Sign In (06/08)

[personal profile] intotheout 2016-06-08 04:08 pm (UTC)(link)
Gratuity Tucci
intotheout: (bright grin)

Re: Watch the Movie

[personal profile] intotheout 2016-06-08 04:13 pm (UTC)(link)
Tip loved this movie. She'd never seen it before -- her mom wasn't much one for philosophical rambling, which seemed to make up at least 90% of the dialog -- but the logical nonsensicality soon had her in stitches.

Now, if only there were any girls of any substance in it at all. . . .
intotheout: (satisfied)

Re: Discussion

[personal profile] intotheout 2016-06-08 04:16 pm (UTC)(link)
"It's not even a story," Tip said happily. "It's, like, an absence of story. It's characters desperately searching for their story and hoping it won't inevitably end in death."

Which, of course, it did. Because Shakespearean tragedy.
intotheout: (wtf fandom)

Re: OOC

[personal profile] intotheout 2016-06-08 04:19 pm (UTC)(link)
DON'T YOU GET IT?! WE'RE ACTORS! WE'RE THE OPPOSITES OF PEOPLE!
crimson_sister: (sideways)

Re: Discussion

[personal profile] crimson_sister 2016-06-08 04:39 pm (UTC)(link)
Tip had a point, and she sounded a lot more clever than Lucille.

"It is a story in the shadow of the great tragedy," Lucille said. "About the people that are expendable."
intotheout: (Default)

Re: Discussion

[personal profile] intotheout 2016-06-08 05:10 pm (UTC)(link)
"Well, yeah. But what's the bigger tragedy? Dying in a grand duel for the throne, or dying for no real reason at all, without ever even knowing why you're living in the first place?"
filleauloup: (Default)

Re: OOC

[personal profile] filleauloup 2016-06-08 06:08 pm (UTC)(link)
This post came across my Tumblr dash with what I feel is appropriate timing.

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